Antonio Carlos Jobim – Sinfonia Do Rio De Janeiro: A Montanha, O Sol, O Mar (Sinfonia Popular Em Tempo De Samba) (2022) [FLAC 24bit/96kHz]

Antonio Carlos Jobim – Sinfonia Do Rio De Janeiro: A Montanha, O Sol, O Mar (Sinfonia Popular Em Tempo De Samba) (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 23:56 minutes | 334 MB | Genre: Bossa Nova, Latin Jazz
Studio Masters, Official Digital Download | Front Cover | © RevOla

Antônio Carlos Jobim, whose ancestors emigrated from France to Brazil in the 17th century, was born in the Tijuca district and spent his childhood in Ipanema. He learned to play the guitar in early childhood. From the age of 13 he learned to play the piano. He became a pupil of Lúcia Branco, who was considered the best piano teacher in Rio de Janeiro of the forties, and from 1941 Hans-Joachim Koellreutter, who had also taught other great Brazilian composers, was also his teacher.In 1946, Jobim began studying architecture, but he soon gave it up to devote himself to music. After that, he first played in various nightclubs. It was also here that he formed a friendship with the pianist and poet Newton Mendonça. He also worked in the studios of the music label Continental, where he also arranged and collaborated with the composer and conductor Radamés Gnattali.

Jobim’s first major success came with Billy Blanco, with whom he recorded the song Teresa da Praia in 1954. Two years later, his friend Vinícius de Moraes asked him to set his work Orfeu da Conceição to music, which was adapted for cinema a little later by Marcel Camus under the name Orfeu Negro. Tom Jobim and Vinícius de Moraes made their breakthrough with this work; some classics of Brazilian popular music, such as Se todos fossem iguais a você or A felicidade, date from this period.
Tom Jobim and Chico Buarque at the Festival Internacional da Canção Popular (FIC), 1968

Until 1958, Jobim was then the artistic director of the record label Odeon. During this time, Elizete Cardoso recorded some songs with Vinícius de Moraes, which are still considered milestones in the development of Brazilian music, especially the record Canção do amor demais.

Tracklist:

1-1. Lúcio Alves – Teresa da Praia (Remastered) (02:51)
1-2. Nora Ney – O Que Vai Ser Mim? (Remastered) (03:17)
1-3. The Radamés Gnattali Quintet – Sinfonia Do Rio De Janeiro: Arpoador (Remastered) (02:32)
1-4. The Radamés Gnattali Quintet – Sinfonia Do Rio De Janeiro: Noites Do Rio (Remastered) (02:17)
1-5. The Radamés Gnattali Quintet – Sinfonia Do Rio De Janeiro: O Samba De Amanha (Remastered) (02:30)
1-6. The Radamés Gnattali Quintet – Sinfonia Do Rio De Janeiro: Hino de Sol (Remastered) (01:50)
1-7. The Radamés Gnattali Quintet – Sinfonia Do Rio De Janeiro: Descendo o Morro (Remastered) (02:39)
1-9. Nora Ney – Solidao (Remastered) (02:58)
1-10. Dick Farney – Outra Vez (Remastered) (02:58)

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