Capella Savaria, Zsolt Kalló – Early European & Hungarian Dances (2023) [FLAC 24bit/48kHz]

Capella Savaria, Zsolt Kalló – Early European & Hungarian Dances (2023)
FLAC (tracks) 24 bit/48 kHz | Time – 54:04 minutes | 614 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Hungaroton

Capella Savaria has earned its fame as the first period-instrument chamber orchestra of Hungary. Its innovative efforts created quite a sensation at the time in musical circles. The ensemble’s objectives were, from the onset, to play baroque and classical music in an authentic way by relying on genuine documents of the period. The material on the album is a selection from early European and Hungarian instrumental dance music.”Founded in 1981, the Hungarian period instrument ensemble Capella Savaria are veterans in the field and have assembled an impressive discography over the forty years of their existence. Their playing combines precision and energy, and these are the predominant features of this recording of Telemann’s Ouverture-Suite in B flat major ‘Les Nations’, in which the composer characterises the nations of Europe in appropriate movements. The ever-imaginative Telemann warms to the task, and produces some strikingly original music which suggests that he had some passing acquaintance with folk music from Turkey, Switzerland and Russia. The transition into the second half of the programme, which opens with a couple of dance movements by Hungarian composers of the early 19th century – essentially concert music with a slight Hungarian flavour – is a bit of a jolt. Soon we are into more distinctive traditional Hungarian melodies and dances from a selection of 19th-century manuscripts. With their instinct for their native music, we could expect no better guide to this material than Capella Savaria, and they find the ideal blend of classical ensemble and gypsy folk band. I recalled the recordings of earlier Hungarian material made by the late great Rene Clemencic, and this CD has some of the flamboyance and smouldering energy with which he invested his accounts of his native music. In the final analysis, this had the feeling of two very different programmes sharing a CD. I have heard more imaginative accounts of the Telemann, and in a way I would have preferred a whole CD of the later fascinating Hungarian material. I hope this isn’t as annoying for the performers as the suggestion from a member of one of our audiences, after we had finished an intense programme of Renaissance music lightened with an encore of Ronald Binge’s Elizabethan Serenade, that we should perform a whole programme of ‘that kind of music’! Anyway, the music from Pest, Nagyszombat and the Poszony Manuscripts has considerable charm and character, and Capella Savaria clearly enjoy playing it.”

Tracklist:

1. Capella Savaria – Ouverture-Suite in B-Flat Major, TWV 55:B5: I. Ouverture (06:11)
2. Capella Savaria – Ouverture-Suite in B-Flat Major, TWV 55:B5: II. Menuets I & II (03:57)
3. Capella Savaria – Ouverture-Suite in B-Flat Major, TWV 55:B5: III. Les turcs (02:28)
4. Capella Savaria – Ouverture-Suite in B-Flat Major, TWV 55:B5: Les Suisses – Les Moscovites (03:28)
5. Capella Savaria – Ouverture-Suite in B-Flat Major, TWV 55:B5: VI. Les portugais (01:52)
6. Capella Savaria – Ouverture-Suite in B-Flat Major, TWV 55:B5: VIII. Les boiteux (01:45)
7. Capella Savaria – Ouverture-Suite in B-Flat Major, TWV 55:B5: IX. Les coureurs (01:47)
8. Capella Savaria – First Hungarian Round Dance (08:37)
9. Capella Savaria – Slow & Fast Hungarian Dances (05:34)
10. Capella Savaria – Recruiting Dance from Pest (06:33)
11. Capella Savaria – Hungarian Dances from “Nagyszombat” (1) (04:06)
12. Capella Savaria – Hungarian Dances from “Pozsony Manuscripts” (03:44)
13. Capella Savaria – Hungarian Dances from “Nagyszombat” (2) (04:02)

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