Céline Scheen, Philippe Pierlot – Dolcissimo sospiro (2024) [FLAC 24bit/96kHz]

Céline Scheen, Philippe Pierlot – Dolcissimo sospiro (2024)
FLAC (tracks) 24 bit/96 kHz | Time – 01:09:45 minutes | 1,20 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © flora

« Taking a viol in his hands, he began to play it with such sweetness that all the other emotions of the people present were surpassed by pleasure, even more so when he began to sing with the sweetest tenor voice… » Wedding celebration of the most serene D. Francesco Medici… 1579.

This account, which recalls Giulio Caccini singing while accompanying himself on the viol, adds to numerous other writings that praise the perfection of the union between voice and viol.

As early as the 16th century in Italy, accompanying the voice with a viola da gamba, known as “cantare alla viola”, was considered the most beautiful way to awake the audience’s emotions.

However, it is England that will provide us with the most exciting testimonies and reveal the fabulous embellishments that the great female singers of the time improvised. Several pieces for lyra viol, the viol played in the manner of the lyre, complement this program that weaves the connections between Italy and England at the dawn of the 17th century.

Tracklist:

1-01. Céline Scheen – Le nuove musiche: No. 3. Dolcissimo sospiro (Version from the British Museum, MS. Egerton 2971) (03:26)
1-02. Céline Scheen – The First Part of Ayres, French, Pollish and Others: No. 107. What Greater Griefe (03:38)
1-03. Philippe Pierlot – The First Part of Ayres, French, Pollish and Others: No. 39. Touch Me Lightly – No. 38. Tickle Me Quickly – No. 35. Tickell, Tickell (05:04)
1-04. Céline Scheen – Le nuove musiche: No. 11. Dovrò dunque morire? (02:36)
1-05. Philippe Pierlot – The First Part of Ayres, French, Pollish and Others: No. 48. Love’s Farewell (03:54)
1-06. Céline Scheen – Cruda Amarilli (Version from the British Museum, MS. Egerton 2971) (02:25)
1-07. Céline Scheen – A Musicall Dreame, or the Fourth Booke of Ayres: No. 21. S’amor non è che dunque (02:03)
1-08. Céline Scheen – The Dark Is My Delight (02:49)
1-09. Céline Scheen – A Musicall Dreame, or the Fourth Booke of Ayres: No. 19. In Sherwood livde stout Robin Hood (04:22)
1-10. Philippe Pierlot – Robin Hood (01:54)
1-11. Philippe Pierlot – Praeludium (No. 32, from the “Manchester Lyra-Viol Manuscript, Part 3” – f. 288) (00:45)
1-12. Philippe Pierlot – Paven (No. 46, from the “Manchester Lyra-Viol Manuscript, Part 3” – f. 302) (05:20)
1-13. Philippe Pierlot – Galliard Corant (03:49)
1-14. Céline Scheen – The Second Booke of Songs and Ayres: No. 9. Now What Is Love (02:44)
1-15. Philippe Pierlot – Allman Coranto (04:28)
1-16. Céline Scheen – Le nuove musiche: No. 4. Amor, io parto (04:10)
1-17. Céline Scheen – Why Stays the Bridegroom (Part 1) (02:28)
1-18. Philippe Pierlot – Bonny Sweet Robin (01:59)
1-19. Philippe Pierlot – Pavan No. 4 (Version from the Bodleian Library, Manuscript D.245) (03:49)
1-20. Céline Scheen – Why Stays the Bridegroom (Part 2) (02:00)
1-21. Philippe Pierlot – The First Part of Ayres, French, Pollish and Others: No. 9. Adue Sweete Loue (01:48)
1-22. Céline Scheen – The Second Set of Madrigals: No. 23. Weep, Weep Mine Eyes (Version from the British Museum, MS. Egerton 2971) (04:03)

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