Charles Lloyd – The Sky Will Still Be There Tomorrow (2024)
FLAC (tracks) 24 bit/96 kHz | Time – 01:30:45 minutes | 1,85 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Blue Note Records
Unsettled by the state of the world in 2020, Charles Lloyd began conceiving of a musical offering in the form of a new studio recording featuring a new band, a quartet that would be a first-time convening of four distinctive voices with the legendary saxophonist joined by pianist Jason Moran, bassist Larry Grenadier, and drummer Brian Blade. In Spring 2023, around Lloyd’s 85th birthday, the project at long last flowered with the creation of an expansive double album titled ‘The Sky Will Still Be There Tomorrow’. A majestic body of work that finds one of the most significant musicians of the 20th and 21st centuries still at the peak of his powers, the album presents a collection of Lloyd originals new, old, and reimagined.Among the major tenor saxophonists of the last 75 years, Charles Lloyd has always stood apart. Most of his peers were based in New York but Lloyd, a Memphis native, often worked out of the West Coast. He frequently collaborated with rock musicians in the 1960s and 1970s, including the Beach Boys, the Doors, Roger McGuinn, and others; at the time, it was uncommon for an important jazz figure to have such close ties to the rock scene. Those associations reveal an artist open to new sounds as he follows his own path.
Decades later, the octogenarian continues to be a singular force, and on the excellent 2024 release, The Sky Will Still Be There Tomorrow, he leads a stellar new band: pianist Jason Moran, bassist Larry Grenadier, and drummer Brian Blade. Lloyd revisits older material with fresh ears, and the double album also includes six new compositions along with versions of the spiritual, “Balm in Gilead,” and J. Rosamond Johnson and James Weldon Johnson’s hymn, “Lift Every Voice and Sing.”
On the opener, “Defiant, Tender Warrior,” which features an arrangement by Lloyd and Moran, Blade deftly deploys rumble, clatter, and hiss to create a foundation and an enveloping atmosphere. Lloyd’s fluttering high notes, just-so breathiness, and speedy note-flurries sensitively play off Moran’s take on the piece’s tender melody.
Lloyd’s sole alto sax performance occurs on the title cut, one of the album’s new pieces. At first, the track sounds like a loosened-up version of bebop, but soon Moran’s dissonant piano changes the vibe. A groove that recalls Keith Jarrett (a former Lloyd sideman), emerges, and a spare, bluesy section follows. Wherever the music goes, the engaged quartet brings it to full flower.
On “Beyond Darkness,” Lloyd displays a warm, nicely shaded tone on alto flute. Blade’s rolls and cymbal hits, Grenadier’s groove, and Moran’s impressionistic lines create a gentle pelagic ambience for Lloyd’s lyrical explorations. Beyond darkness, indeed, this is wonderfully blissed-out music.
“Defiant, Reprise; Homeward Dove” looks back to the opener. The two tracks perfectly bracket an album that gracefully takes the listener on a journey with Lloyd and his sensitively attuned band. As the last notes sound, there is a sense of a cycle completed. – Fred Cisterna
Tracklist:
1-01. Charles Lloyd – Defiant, Tender Warrior (04:16)
1-02. Charles Lloyd – The Lonely One (05:45)
1-03. Charles Lloyd – Monk’s Dance (06:49)
1-04. Charles Lloyd – The Water Is Rising (05:08)
1-05. Charles Lloyd – Late Bloom (01:02)
1-06. Charles Lloyd – Booker’s Garden (08:07)
1-07. Charles Lloyd – The Ghost of Lady Day (06:43)
1-08. Charles Lloyd – The Sky Will Still Be There Tomorrow (07:14)
1-09. Charles Lloyd – Beyond Darkness (07:19)
1-10. Charles Lloyd – Sky Valley, Spirit of the Forest (15:04)
1-11. Charles Lloyd – Balm In Gilead (03:06)
1-12. Charles Lloyd – Lift Every Voice and Sing (02:50)
1-13. Charles Lloyd – When the Sun Comes Up, Darkness Is Gone (03:41)
1-14. Charles Lloyd – Cape to Cairo (09:15)
1-15. Charles Lloyd – Defiant, Reprise; Homeward Dove (04:20)
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