Cults – To the Ghosts (2024) [FLAC 24bit/96kHz]

Cults – To the Ghosts (2024)
FLAC (tracks) 24 bit/96 kHz | Time – 44:51 minutes | 916 MB | Genre: Indie Pop, Dream pop, Synth-pop, Female Vocal
Studio Masters, Official Digital Download | Front Cover | © Cults Music, LLC

Adored alt-pop duo Cults release their fifth studio album To The Ghosts via Imperial. The NY-based duo compromised of multi-instrumentalists Madeline Follin and Brian Oblivion, confidently and clearly perfect their vision with the cinematic new album. To the Ghosts was meticulously crafted; the earliest ideas dated back to the pandemic when they wrote music on weekdays from 10am-5pm with no deadlines or distractions. The album was written and recorded in Brian’s apartment; in 2022 they traveled to Los Angeles to collaborate with longtime producer and trusted creative confidant Shane Stoneback, because “nobody can read our minds like he can,” jests Madeline. To the Ghosts was co-produced by Cults and Shane Stoneback, mixed by John Congleton, and mastered by Heba Kadry NYC.In the years that followed 2020’s Host, Cults experienced viral success that catapulted “Always Forever” (from 2013’s Static) and “Gilded Lily” (from 2017’s Offering) to platinum and gold status, respectively, in the U.S. (“She Knows,” their J. Cole collaboration, went platinum in the U.K.). That Madeline Follin and Brian Oblivion’s back catalog found new life on social media is just another example of how easily they meld pop’s past and future — their songs sound as good in viral posts as they would playing on a soda shop jukebox or in a flying car. The duo created To the Ghosts in marathon writing and recording sessions during the COVID-19 global pandemic, and Follin and Oblivion’s intense focus often puts the spotlight on their timeless melodies and songwriting. This is most apparent on “Hung the Moon,” the twangy lullaby that closes the album, but the ways Cults return to their fundamentals are never simple. They find fresh angles on the 1950s and ’60s pop influences they use so charmingly on “Crybaby,” where they wink at wallowing with breezy girl group harmonies, percolating electronics, and spacey sound effects that would make Joe Meek proud. It’s an instant Cults classic along with “Left My Keys,” which creates a mirage of the past that never existed set to handclaps and a Motown bassline. Oblivion and Follin have always been avid pop scholars, but their references are especially nimble on To the Ghosts. They flirt with baroque pop and ’70s AM pop on “Crystal” and “Knots,” evoke Suicide and the Magnetic Fields in equal measure on “Leave Home,” and even riff on their own past in “Honey” with playground sounds that hark back to “Go Outside.” Cults also continue Host’s panoramic experiments, delivering highlights with “Eat It Cold”‘s ambitious electro-pop meditation on how traditions and secrets can devour you and with the elegant menace — and surprisingly heavy undertow — of “Open Water.” After more than a decade of making music, Cults still aren’t as easy to pin down as might be expected, but To the Ghosts reflects how they’ve endured without compromising the innocence and artful popcraft at the heart of their sound. – Heather Phares

Tracklist:

1-1. Cults – Crybaby (02:54)
1-2. Cults – Left My Keys (03:17)
1-3. Cults – Onions (04:10)
1-4. Cults – Crystal (02:34)
1-5. Cults – Leave Home (03:00)
1-6. Cults – Eat It Cold (04:19)
1-7. Cults – Honey (04:09)
1-8. Cults – Knots (02:53)
1-9. Cults – Behave (02:43)
1-10. Cults – Open Water (03:21)
1-11. Cults – Cells (01:44)
1-12. Cults – You’re In Love With Yourself (04:12)
1-13. Cults – Hung The Moon (05:29)

Download from FileJoker: