Eugénie de Mey, Trobar Project – Exils. Celles qui restent, Celles qui partent… (2023) [FLAC 24bit/96kHz]

Eugénie de Mey, Trobar Project – Exils. Celles qui restent, Celles qui partent… (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 01:16:49 minutes | 1,20 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Grissini Project

From the dawn of time, across the four corners of the world, exile has left its mark on the landscape of men… and on the songs of women. Mediaeval songs by trouveres and nuns (The women who stayed), Iberian and Sephardic songs (The women who left) are woven around Exils, a set of four pieces composed by Thierry De Mey in homage to all those women (from ancient times to our modern and highly topical times) who never reached their place of exile…

Tracklist:

1-01. Eugénie de Mey – EXIL: Solo Andata for Solo Voice (07:14)
1-02. Eugénie de Mey – Al Fat / Chanterai por mon Courage (09:34)
1-03. Eugénie de Mey – De Fortune me doit plaindre et loer (03:46)
1-04. Eugénie de Mey – Puisqu’en Oubli sui de vous dous Amis (03:06)
1-05. Pierre Hamon – Lucente Stella (Arr. for Medieval Double Recorder by Pierre Hamon) (03:46)
1-06. Eugénie de Mey – Amor con Fortuna (01:03)
1-07. Eugénie de Mey – Bre Sarrica, Bre (01:07)
1-08. Eugénie de Mey – Amor constante màs allà de la Muerte (Arr. for Voice and Flute by Eugénie De Mey) (06:16)
1-09. Eugénie de Mey – La Rosa Enflorece (03:50)
1-10. Eugénie de Mey – Una Tarde de Verano (05:54)
1-11. Eugénie de Mey – Merçe o Morte (Arr. for Voice and Music Box by Eugénie De Mey) (02:26)
1-12. Pierre Hamon – EXIL: Choral of Harmonics for bass renaissance recorder (04:13)
1-13. Pierre Hamon – EXIL: Shadowing for bass renaissance recorder and voice (01:48)
1-14. Pierre Hamon – EXIL: Envol for soprano recorder and voice (01:22)
1-15. Julien Lahaye – CASCADE en 5 pour 3 for solo tombak (06:50)
1-16. Eugénie de Mey – Planctus “Quis dabit Capiti meo Aquam ?” (04:01)
1-17. Eugénie de Mey – EXIL: Would Never, tresse des prénoms for 3 Musicians (06:10)
1-18. Eugénie de Mey – Alleluia Nigra Sum sed formosa (04:14)

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