Ivan Petričević – Guitar Intersections (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 50:01 minutes | 891 MB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © haenssler CLASSIC
The starting point for our attention here is the work of the Spanish composer, guitarist and guitar teacher Francisco Tarrega ( 1852-1909), whose “school” influenced numerous Spanish composers who, like Tarrega himself, saw the guitar as Spain’s national instrument. The 19th century was a time when large concert halls were being constructed, something which, as the guitar began to enjoy increasing popularity, became rather problematic for guitarists, particularly as far as the acoustics were concerned. It was the Spanish guitar maker Antonio Torres ( 1817-1892) who, basing his designs on those of previous guitar makers, combined with the most up-to-date research into acoustics, developed larger instruments, something which Tarrega found vitally interesting, so much so that he developed a new playing technique. Through the evolution of his style of legato fretting and his own particular perception of the diverse timbral possibilities of the guitar, Tarrega created sounds that virtually made the in-strument sing.
Tracklist:
01. Ivan Petričević – Danza Mora (01:42)
02. Ivan Petričević – Maria (01:23)
03. Ivan Petričević – I. Allegro moderato (06:36)
04. Ivan Petričević – II. Minueto (02:46)
05. Ivan Petričević – III. Pavana Triste (04:46)
06. Ivan Petričević – IV. Final (04:27)
07. Ivan Petričević – Romance del pescador (02:00)
08. Ivan Petričević – Cancion del fuego fatuo (01:50)
09. Ivan Petričević – I. Fandanguillo (01:39)
10. Ivan Petričević – II. Arada (03:37)
11. Ivan Petričević – III. Danza (02:09)
12. Ivan Petričević – Seguidilla (03:36)
13. Ivan Petričević – Guajira (04:35)
14. Ivan Petričević – No. 3, Cancion Paramena (01:58)
15. Ivan Petričević – No. 15, Estudio con Pajarillo (02:52)
16. Ivan Petričević – No. 5, Para Laura (03:57)
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