Michel Dalberto – Beethoven: Pathetique, Funebre, Clair de Lune & Appassionata (2019) [FLAC 24bit/96kHz]

Michel Dalberto – Beethoven: Pathétique, Funèbre, Clair de Lune & Appassionata (2019)
FLAC (tracks) 24 bit/96 kHz | Time – 01:45:55 minutes | 976 MB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © La Dolce Volta

For his first CD with La Dolce Volta, Michel Dalberto invites us on a breathtaking journey into Beethoven’s ever-changing universe. He has chosen five sonatas from different periods. They reveal, in the pianist’s own words, the “gigantic scope of the composer’s imagination.”

Michel Dalberto has had a unique career journey. An expert of French repertoire, exemplified with his tetralogy published on Aparté (Debussy, Fauré, Franck and Ravel), he also recorded the somewhat neglected first sonatas by Beethoven in a compilation published by Erato in the 1980s. However, he thereafter dedicated himself mainly to Schubert, saving the Appassionata, Moonlight and Opus 111 for later. This album signals the end of the wait for these iconic pieces in the year of an important anniversary for Beethoven, presenting them to the listener in chronological order. From the Pathétique to Sonata n°32, op. 111, Michel Dalberto seems determined to portray Beethoven as a classical and not a pre-romantic composer, as the musical history books are often known to do. There is a real emphasis on the thematic and motivic logic of the music here. Thus the deliberately slow tempo of the Allegretto of the Sonata n°14, op. 27 manages to deconstruct the score without totally stripping it of its substance. It’s followed by the Presto Agitato, a delirious sprint with devilish articulation which is divinely transparent despite the apprehension in the highs and lows. The formidable changes in register in Beethoven’s opus are interwoven seamlessly thanks to the narrative genius of the performer (Schubert’s influence is not too far away). Indeed, Opus 111’s first movement is remarkable. The Steinway is expectedly robust, cutting even, as the pianist creates moments of orchestral sonority and weightless playing. A result which leaves the listener awestruck. – Elsa Siffert

Tracklist:
1. Piano Sonata No. 8 in C Minor, Op. 13 “Pathétique”: I. Grave. Allegro di molto e con brio (09:19)
2. Piano Sonata No. 8 in C Minor, Op. 13 “Pathétique”: II. Adagio cantabile (04:37)
3. Piano Sonata No. 8 in C Minor, Op. 13 “Pathétique”: III. Rondo. Allegro (05:12)
4. Piano Sonata No. 12 in A-Flat Major, Op. 26 “Funeral March”: I. Andante con variazioni (07:25)
5. Piano Sonata No. 12 in A-Flat Major, Op. 26 “Funeral March”: II. Scherzo, allegro molto (03:11)
6. Piano Sonata No. 12 in A-Flat Major, Op. 26 “Funeral March”: III. Maestoso andante (05:40)
7. Piano Sonata No. 12 in A-Flat Major, Op. 26 “Funeral March”: IV. Allegro (03:05)
8. Piano Sonata No. 14 In C-Sharp Minor, Op. 27, No. 2 ” Moonlight”: I. Adagio sostenuto (04:58)
9. Piano Sonata No. 14 In C-Sharp Minor, Op. 27, No. 2 ” Moonlight”: II. Allegretto (02:48)
10. Piano Sonata No. 14 In C-Sharp Minor, Op. 27, No. 2 ” Moonlight”: III. Presto agitato (08:11)
11. Piano Sonata No. 23 in F Minor, Op. 57 “Appassionata”: I. Allegro assai (10:21)
12. Piano Sonata No. 23 in F Minor, Op. 57 “Appassionata”: II. Andante con moto (06:20)
13. Piano Sonata No. 23 in F Minor, Op. 57 “Appassionata”: III. Allegro ma non troppo – Presto (09:01)
14. Piano Sonata No. 32 in C Minor, Op. 111: I. Maestoso – Allegro con brio ed appassionato (09:11)
15. Piano Sonata No. 32 in C Minor, Op. 111: II. Arietta – Adagio molto semplice e cantabile (16:36)

Details of original recording : Recorded 2019, Salle Molière, Lyon (France) : February 6 (Opus 26, 111) & June 5 (Opis 13, 27, 57)

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