Stan Getz, Gerry Mulligan, Harry Edison, Louis Bellson – Jazz Giants ’58 (Remastered Edition) (1958/2026)
FLAC (tracks) 24 bit/44,1 kHz | Time – 46:43 minutes | 501 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Little Starlight Records

Jazz Giants ’58 is a landmark album that captures the brilliance of some of the most important figures in mid-20th century jazz! Producer Norman Granz (1918-2001) had an uncanny ability to create really amazing jazz albums by experimenting with the combinative chemistry of musical minds, temperaments, and personalities. While not every Granz session resulted in recordings of equal depth or profundity, the number of artistically rewarding, genre-defining albums that came together under his supervision is almost difficult for the human mind to fully comprehend. One fine example is Jazz Giants ’58, a Verve album recorded inside the rented Capitol studios in Hollywood, California on August 1, 1957 and released almost exactly one year later.

Tracklist:

1-1. Stan Getz, Gerry Mulligan, Harry Edison, Louis Bellson & The Oscar Peterson Trio – Chocolate Sundae (Remastered) (10:07)
1-2. Stan Getz, Gerry Mulligan, Harry Edison, Louis Bellson & The Oscar Peterson Trio – When Your Lover Has Gone (Remastered) (07:14)
1-3. Stan Getz, Gerry Mulligan, Harry Edison, Louis Bellson & The Oscar Peterson Trio – Candy (Remastered) (07:55)
1-4. Stan Getz, Gerry Mulligan, Harry Edison, Louis Bellson & The Oscar Peterson Trio – Ballade: Lush Life, Lullaby of the Leaves, Makin’ Whoopee, It Never Entered My Mind (Remastered) (11:51)
1-5. Stan Getz, Gerry Mulligan, Harry Edison, Louis Bellson & The Oscar Peterson Trio – Woodyn’ You (Remastered) (09:33)

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Stan Getz, Gerry Mulligan – Getz Meets Mulligan In Hi-Fi (1957/2026)
FLAC (tracks) 24 bit/96 kHz | Time – 37:37 minutes | 456 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Verve Reissues

Gerry Mulligan Meets Stan Getz (also released as Getz Meets Mulligan in Hi-Fi) is an album by American jazz saxophonists Gerry Mulligan and Stan Getz featuring performances recorded in 1957 released on the Verve label.

Tracklist:

1-1. Stan Getz – Let’s Fall In Love (06:30)
1-2. Stan Getz – Anything Goes (03:37)
1-3. Stan Getz – Too Close For Comfort (06:58)
1-4. Stan Getz – That Old Feeling (05:58)
1-5. Stan Getz – This Can’t Be Love (08:47)
1-6. Stan Getz – Ballad (05:44)

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Paul Desmond, Gerry Mulligan – Two Of A Mind (1962/2015)
FLAC (tracks) 24 bit/44,1 kHz | Time – 40:39 minutes | 441 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Crazy Warthog Media

“Two of a Mind” is an album recorded by American jazz saxophonists Paul Desmond and Gerry Mulligan featuring performances recorded in 1962 which were released on the RCA Victor label. This is an album of great melodic interaction between Desmond and Mulligan. It’s too bad that they did not perform more often with each other. But what the did give us, will have to do.Altoist Paul Desmond and baritonist Gerry Mulligan always made for a perfect team during their infrequent collaborations. Both of the saxophonists had immediately distinctive light tones, strong wits, and the ability to improvise melodically. Here the two masterful reed players are featured in pianoless quartets that also include Wendell Marshall, Joe Benjamin or John Beal on bass, and Connie Kay or Mel Lewis on drums. The songs all utilize common chord changes, including the two “originals” (“Two of a Mind” and “Blight of the Fumble Bee”), and the interplay between Desmond and Mulligan is consistently delightful. Highly recommended.

Tracklist:

1. Paul Desmond & Gerry Mulligan – All the Things You Are (05:49)
2. Paul Desmond & Gerry Mulligan – Stardust (08:21)
3. Paul Desmond & Gerry Mulligan – Two of a Mind (05:46)
4. Paul Desmond & Gerry Mulligan – Blight of the Fumble Bee (06:35)
5. Paul Desmond & Gerry Mulligan – The Way You Look Tonight (07:20)
6. Paul Desmond & Gerry Mulligan – Out of Nowhere (06:45)

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Gerry Mulligan, Johnny Hodges – Gerry Mulligan Meets Johnny Hodges (1960/2026)
FLAC (tracks) 24 bit/96 kHz | Time – 33:33 minutes | 731 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Verve Reissues

Gerry Mulligan Meets Johnny Hodges is an album recorded by American jazz saxophonists Gerry Mulligan and Johnny Hodges featuring performances recorded in 1959 released on the Verve label.

The Allmusic site awarded the album 4 stars stating “Gerry Mulligan’s 1959 studio date with Johnny Hodges is one of the most satisfying sessions of his various meetings with different saxophonists for Verve… Throughout the date, the two saxophonists blend beautifully and complement one another’s efforts, even though this was their only opportunity to record together in the studio”.

Tracklist:

1-1. Gerry Mulligan – Bunny (05:47)
1-2. Gerry Mulligan – What’s The Rush (03:45)
1-3. Gerry Mulligan – Back Beat (07:33)
1-4. Gerry Mulligan – What It’s All About (04:04)
1-5. Gerry Mulligan – 18 Carrots For Rabbit (05:17)
1-6. Gerry Mulligan – Shady Side (07:05)

Gerry Mulligan Meets Scott Hamilton – Soft Lights & Sweet Music (1986) [MFSL 2006] [SACD ISO + Hi-Res FLAC]
PS3 Rip | ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 42:20 minutes | Scans included | 1,32 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 885 MB
Mobile Fidelity Sound Lab # UDSACD 2017

Starting in the late ’50s, Gerry Mulligan recorded a series of encounters with fellow saxophonists that included such immortals as Stan Getz, Paul Desmond, Johnny Hodges and Ben Webster. In 1986 he resumed the practice for this one date on which his baritone is matched with the tenor of the young great Scott Hamilton. The music, which includes warm ballads and fairly hot romps (five of the seven songs are Mulligan originals), consistently swing and are quite enjoyable.

Tracklist:

01. Soft Lights & Sweet Music
02. Gone
03. Do You Know What I See?
04. I’ve Just Seen Her
05. Noblesse
06. Ghosts
07. Port of Baltimore Blues

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Gerry Mulligan – The Excellence Series: Plays Mulligan (Digital Remaster 2024) (1951/2024)
FLAC (tracks) 24 bit/96 kHz | Time – 37:56 minutes | 589 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Mouton Recordings

Gerry Mulligan’s first session as a leader and one of the first to showcase his baritone was recorded in New York shortly before he relocated to Los Angeles and formed his famous pianoless quartet with Chet Baker. There is a piano on this set (George Wallington) but Mulligan’s writing (all seven selections are his) for a two-baritone nonet that also features trumpeter Nick Travis and tenor-saxophonist Allan Eager is already in his influential “cool style”; best-known among the originals is “Bweebida Bwobbida.”

Tracklist:

1-1. Gerry Mulligan – Funhouse (Digital Remaster 2024) (03:13)
1-2. Gerry Mulligan – Ide’s Side (Digital Remaster 2024) (03:18)
1-3. Gerry Mulligan – Roundhouse (Digital Remaster 2024) (03:33)
1-4. Gerry Mulligan – Kaper (Digital Remaster 2024) (03:10)
1-5. Gerry Mulligan – Bweebida Bobbida (Digital Remaster 2024) (02:59)
1-6. Gerry Mulligan – Mullenium (Digital Remaster 2024) (04:04)
1-7. Gerry Mulligan – Mulligan’s Too (Digital Remaster 2024) (17:36)

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Gerry Mulligan – The Concert Jazz Band (Remastered Edition) (2025)
FLAC (tracks) 24 bit/44,1 kHz | Time – 39:27 minutes | 454 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Little Starlight Records

The Concert Jazz Band is an album recorded by American jazz saxophonist Gerry Mulligan featuring performances recorded in 1960 which were released on the Verve label.

Tracklist:

1-1. Gerry Mulligan – Sweet and Slow (05:15)
1-2. Gerry Mulligan – Bweebida Bobbida (05:45)
1-3. Gerry Mulligan – Manoir Des Mes Reves ( Django’s Castle) (03:48)
1-4. Gerry Mulligan – You Took Advantage of Me (04:37)
1-5. Gerry Mulligan – Out of This World (03:48)
1-6. Gerry Mulligan – My Funny Valentine (05:01)
1-7. Gerry Mulligan – Broadway (05:19)
1-8. Gerry Mulligan – I’m Gonna Go Fishin’ (05:51)

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Gerry Mulligan – Gerry Mulligan Sextet – Stuttgart 1977 (1977/2018)
FLAC (tracks) 24 bit/192 kHz | Time – 49:11 minutes | 1,72 GB | Genre: Contemporary Jazz, Jazz
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © 2xHD Fusion

Together with Gil Evans and Miles Davis, the 20 year old Gerry Mulligan conceived the revolutionary nonet music for Birth of the Cool. In Stuttgart, at age 50, he was already looking back on a career spanning almost thirty years and was much in demand. The fact that he wrote fascinating film scores and won Grammys for them in the ‘70s, not to mention his burgeoning interest in jazz-rock fusions, once again highlighted this extraordinary musician’s exceptional openness and creative potential. These recordings were previously released as “Liederhalle Stuttgart November 22, 1977”.This Stuttgart concert shows that the ever self-critical jazzman never let his identity slip. It was evident in his choice of players; rising stars such as vibraphonist Dave Samuels or guitarist Mike Santiago proved they could harmonise with experienced greats such as bassist George Duvivier as if they had been doing it all their lives. Like Ellington, Gerry Mulligan always preferred his jazz “In a state of becoming”.

Tracklist:

01. Gerry Mulligan – For an Unfinished Woman (09:49)
02. Gerry Mulligan – Line for Lyons (06:23)
03. Gerry Mulligan – Taurus Moon (08:17)
04. Gerry Mulligan – Babes in Arms: My Funny Valentine (05:28)
05. Gerry Mulligan – Four for Three (06:33)
06. Gerry Mulligan – K-4 Pacific (12:38)

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Gerry Mulligan, Gerry Mulligan Quartet, Chet Baker – Gerry Mulligan Quartet (1955/2022)
FLAC (tracks) 24 bit/44,1 kHz | Time – 37:07 minutes | 358 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Ermitage Records

Gerald Joseph Mulligan (April 6, 1927 – January 20, 1996), also known as Jeru, was an American jazz saxophonist, clarinetist, composer and arranger. Though primarily known as one of the leading jazz baritone saxophonists—playing the instrument with a light and airy tone in the era of cool jazz—Mulligan was also a significant arranger, working with Claude Thornhill, Miles Davis, Stan Kenton, and others. His pianoless quartet of the early 1950s with trumpeter Chet Baker is still regarded as one of the best cool jazz groups. Mulligan was also a skilled pianist and played several other reed instruments. Several of his compositions, such as “Walkin’ Shoes” and “Five Brothers”, have become standards…

Tracklist:

1. Gerry Mulligan Quartet – Frenesi (03:10)
2. Gerry Mulligan Quartet – Nights At The Turntable (02:55)
3. Gerry Mulligan Quartet – Lullaby Of The Leaves (03:15)
4. Gerry Mulligan Quartet – Jeru (02:31)
5. Gerry Mulligan Quartet – Cherry (02:59)
6. Gerry Mulligan Quartet – Swinghouse (03:27)
7. Gerry Mulligan Quartet – I May Be Wrong (03:02)
8. Gerry Mulligan Quartet – Aren’t You Glad You’re You (02:52)
9. Gerry Mulligan Quartet – I’m Beginning To See The Light (03:09)
10. Gerry Mulligan Quartet – Makin’ Whoopee (02:54)
11. Gerry Mulligan Quartet – The Nearness Of You (03:28)
12. Gerry Mulligan Quartet – Tea For Two (03:19)

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Gerry Mulligan – Mulligan Meets Monk (Remastered 2025 / Mono Mix) (2025)
FLAC (tracks) 24 bit/192 kHz | Time – 41:37 minutes | 1,72 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Craft Recordings

Thelonious Monk war ein Schöpfer im wahrsten Sinne des Wortes. Die aktuelle Aufnahme enthält eines seiner seltenen Alben, das in die Standardformel „Jazzstar 1 trifft Jazzstar 2“ passt. Der Pianist stand selten mit anderen Stars auf der Bühne (was seine eigene musikalische Individualität beeinträchtigen könnte) oder akzeptierte es, hinter irgendjemandem die zweite Geige zu spielen. Zwei seltene Ausnahmen sind seine beiden Aufnahmen von 1950 mit dem Sänger Frankie Passions („Especially to You“ und „Nobody Knows“) und seine Studiosession vom 6. Juni 1950 mit Charlie Parker und Dizzy Gillespie als Begleitmusiker. (Thelonious arbeitete in dieser Zeit nicht viel und Bird legte Wert darauf, ihn zu dem Termin zu bekommen.) Aber Monk ist der Leadsänger auf der überwiegenden Mehrheit seiner Aufnahmen, und in gewisser Weise war er auch die führende Stimme bei diesem Treffen mit Gerry Mulligan. Die meisten der hier gespielten Stücke sind Kompositionen von Monk, mit Ausnahme des Standards „Sweet and Lovely“ – ein Favorit von Monk, der es Dutzende Male aufgenommen hat – und CharlieShavers’ „Undecided“, das durchaus Gerrys einziger Ruf an diesem Abend gewesen sein könnte. Obwohl es klar erkennbar bleibt, wurde das letztere Stück hier leicht abgeändert, in „Decidedly“ umbenannt und Mulligan selbst zugeschrieben. Es ist keine andere Aufnahme von „Undecided“ von Monk bekannt. Mulligan nahm diesen Titel 1966 erneut mit Stan Getz auf (ebenfalls unter dem Titel „Decidedly“ für das Album „Something Borrowed, Something Blue“).

Tracklist:

01. Gerry Mulligan – Round Midnight (Remastered 2025 / Mono Mix) (08:30)
02. Gerry Mulligan – Rhythm-A-Ning (Remastered 2025 / Mono Mix) (05:20)
03. Gerry Mulligan – Sweet And Lovely (Remastered 2025 / Mono Mix) (07:18)
04. Gerry Mulligan – Decidedly (Remastered 2025 / Mono Mix) (06:38)
05. Gerry Mulligan – Straight, No Chaser (Remastered 2025 / Mono Mix) (07:01)
06. Gerry Mulligan – I Mean You (Remastered 2025 / Mono Mix) (06:49)

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Gerry Mulligan – Mulligan Meets Monk (1957/2021)
FLAC (tracks) 24 bit/96 kHz | Time – 01:14:39 minutes | 1,18 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © RevOla

Mulligan Meets Monk is a studio album by American jazz pianist Thelonious Monk and baritone saxophonist Gerry Mulligan, originally released on Riverside Records in 1957. It has been reissued numerous times. It was remastered for CD in 1987 (on Fantasy’s Original Jazz Classics) with three additional alternative takes from the original session.

Tracklist:

1-1. Gerry Mulligan – ‘Round Midnight (Remastered) (08:30)
1-2. Gerry Mulligan – Rhythm-A-Ning (Remastered) (05:22)
1-3. Gerry Mulligan – Sweet And Lovely (Remastered) (07:19)
1-4. Gerry Mulligan – Decidedly (Remastered) (05:54)
1-5. Gerry Mulligan – Straight, No Chaser (Remastered) (07:00)
1-6. Gerry Mulligan – I Mean You (Remastered) (06:54)
1-7. Gerry Mulligan – Decidedly (Alternative Take Remastered) (06:37)
1-8. Gerry Mulligan – Straight, No Chaser (Alternative Take Remastered) (05:30)
1-9. Gerry Mulligan – I Mean You (Alternative Take 1 Remastered) (06:24)
1-10. Gerry Mulligan – I Mean You (Alternative Take 2 Remastered) (06:33)
1-11. Gerry Mulligan – Now’s The Time (Remastered) (08:31)

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Gerry Mulligan, Chet Baker – Carnegie Hall Concert (Remastered) (1975/2017)
FLAC (tracks) 24 bit/192 kHz | Time – 01:12:01 minutes | 2,76 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © CTI Records

Live recording at Carnegie Hall on November 24, 1974.

Chet Baker, who once dominated the world as a cool jazz hero, revived brilliantly after a long stagnation and wandering life due to drug damage, etc. A live album of a co-starring concert after a long absence. The standard songs and Mulligan’s original songs are heard as if they were able to play in New York again. By the way, the guitar is John Scofield, which is also his first recording.At this 1974 concert baritonist Gerry Mulligan and trumpeter Chet Baker had one of their very rare reunions; it would be only the second and final time that they recorded together after Mulligan’s original quartet broke up in 1953. Oddly enough, a fairly contemporary rhythm section was used (keyboardist Bob James, vibraphonist Dave Samuels, bassist Ron Carter, drummer Harvey Mason, and in one of his first recordings, guitarist John Scofield). However, some of the old magic was still there between the horns, and in addition to two of Mulligan’s newer tunes, this set (the first of two volumes) also includes fresh versions of “Line for Lyons” and “My Funny Valentine.”

Tracklist:

01. Gerry Mulligan, Chet Baker – Line For Lyons (08:21)
02. Gerry Mulligan, Chet Baker – (Song) For An Unfinished Woman (09:00)
03. Gerry Mulligan, Chet Baker – My Funny Valentine (08:47)
04. Gerry Mulligan, Chet Baker – Song For Strayhorn (09:41)
05. Gerry Mulligan, Chet Baker – It’s Sandy At The Beach (09:16)
06. Gerry Mulligan, Chet Baker – Bernie’s Tune (08:03)
07. Gerry Mulligan, Chet Baker – K-4 Pacific (11:52)
08. Gerry Mulligan, Chet Baker – There Will Never Be Another You (06:59)

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Gerry Mulligan – Body And Soul (2022)
FLAC (tracks) 24 bit/44,1 kHz | Time – 59:45 minutes | 656 MB | Genre: Blues
Studio Masters, Official Digital Download | Front Cover | © Delta Music – Concert Archive

Gerald Joseph “Gerry” Mulligan (April 6, 1927 – January 20, 1996) was an American jazz saxophonist, clarinetist, composer and arranger. Though Mulligan is primarily known as one of the leading baritone saxophonists in jazz history – playing the instrument with a light and airy tone in the era of cool jazz – he was also a notable arranger, working with Claude Thornhill, Miles Davis, Stan Kenton, and others. Mulligan’s pianoless quartet of the early 1950s with trumpeter Chet Baker is still regarded as one of the more important cool jazz groups. Mulligan was also a skilled pianist and played several other reed instruments. “There are some words that have been kind of lost from modern usage that I would like to bring to my music and have striven all my life to do, BEAUTY, GRACE, NOBILITY, these are the things that music can bring to us, as human beings. I think it is well that we who make music keep that in our consciousness.” -GERRY MULLIGAN

Tracklist:

1-1. Gerry Mulligan – You Took Advantage Of Me (04:26)
1-2. Gerry Mulligan – Black Nightgown (03:56)
1-3. Gerry Mulligan – Body And Soul (05:37)
1-4. Gerry Mulligan – Barbara’s Theme (05:40)
1-5. Gerry Mulligan – Apple Core (04:56)
1-6. Gerry Mulligan – Come Rain Or Come Shine (04:14)
1-7. Gerry Mulligan – Out Of This World (03:49)
1-8. Gerry Mulligan – Spring Is Sprung (21:34)
1-9. Gerry Mulligan – My Funny Valentine (05:29)

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Gerry Mulligan – All that Jazz, Vol. 147: Mullenium! (2022)
FLAC (tracks) 24 bit/48 kHz | Time – 01:21:45 minutes | 475 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Jube Legends

The most famous and probably greatest jazz baritonist of all time, Gerry Mulligan was a giant. A flexible soloist who was always ready to jam with anyone from Dixielanders to the most advanced boppers, Mulligan brought a somewhat revolutionary light sound to his potentially awkward and brutal horn and played with the speed and dexterity of an altoist.

Mulligan started on the piano before learning clarinet and the various saxophones. His initial reputation was as an arranger. In 1944 he wrote charts for Johnny Warrington’s radio band and soon was making contributions to the books of Tommy Tucker and George Paxton. He moved to New York in 1946 and joined Gene Krupa’s Orchestra as a staff arranger; his most notable chart was “Disc Jockey Jump.” The rare times he played with Krupa’s band was on alto and the same situation existed when he was with Claude Thornhill in 1948.Birth of the Cool
Gerry Mulligan’s first notable recorded work on baritone was with Miles Davis’ Birth of the Cool nonet (1948-50) but once again his arrangements (“Godchild,” “Darn That Dream” and three of his originals “Jeru,” “Rocker” and “Venus de Milo”) were more significant than his short solos. Mulligan spent much of 1949 writing for Elliot Lawrence’s orchestra and playing anonymously in the saxophone section. It was not until 1951 that he began to get a bit of attention for his work on baritone. Mulligan recorded with his own nonet for Prestige, displaying an already recognizable sound. After he traveled to Los Angeles, he wrote some arrangements for Stan Kenton (including “Youngblood,” “Swing House” and “Walking Shoes”), worked at the Lighthouse and then gained a regular Monday night engagement at the Haig. Around this time Mulligan realized that he enjoyed the extra freedom of soloing without a pianist. He jammed with trumpeter Chet Baker and soon their magical rapport was featured in his piano-less quartet. The group caught on quickly in 1952 and made both Mulligan and Baker into stars.

A drug bust put Mulligan out of action and ended that quartet but, when he was released from jail in 1954, Mulligan began a new musical partnership with valve trombonist Bob Brookmeyer that was just as successful. Trumpeter Jon Eardley and Zoot Sims on tenor occasionally made the group a sextet and in 1958 trumpeter Art Farmer was featured in Mulligan’s Quartet. Being a very flexible player with respect for other stylists, Mulligan went out of his way to record with some of the great musicians he admired. At the 1958 Newport Jazz Festival he traded off with baritonist Harry Carney on “Prima Bara Dubla” while backed by the Duke Ellington Orchestra, and during 1957-60 he recorded separate albums with Thelonious Monk, Paul Desmond, Stan Getz, Ben Webster and Johnny Hodges. Mulligan played on the classic Sound of Jazz television special in 1958 and appeared in the movies I Want to Live and The Subterraneans.

During 1960-64 Mulligan led his Concert Jazz Band which gave him an opportunity to write, play baritone and occasionally double on piano. The orchestra at times included Brookmeyer, Sims, Clark Terry and Mel Lewis. Mulligan was a little less active after the big band broke up but he toured extensively with the Dave Brubeck Quartet (1968-72), had a part-time big band in the 1970s (the Age of Steam), doubled on soprano for a period, led a mid-’70s sextet that included vibraphonist Dave Samuels, and in 1986 jammed on a record with Scott Hamilton. In the 1990s he toured the world with his excellent “no-name” quartet and led a “Rebirth of the Cool Band” that performed and recorded remakes of the Miles Davis Nonet classics. Up until the end, Gerry Mulligan was always eager to play.

Among Mulligan’s compositions were “Walkin’ Shoes,” “Line for Lyons,” “Bark for Barksdale,” “Nights at the Turntable,” “Utter Chaos,” “Soft Shoe,” “Blueport,” “Song for Strayhorn,” “Song for an Unfinished Woman” and “I Never Was a Young Man” (which he often sang). He recorded extensively through the years for such labels as Prestige, Pacific Jazz, Capitol, Vogue, EmArcy, Columbia, Verve, Milestone, United Artists, Philips, Limelight, A&M, CTI, Chiaroscuro, Who’s Who, DRG, Concord and GRP.

Tracklist:

1. Gerry Mulligan – Mullenium (04:05)
2. Gerry Mulligan – Kaper (03:08)
3. Gerry Mulligan – Babes in Arms: The Lady is a Tramp (05:09)
4. Gerry Mulligan – Broadway (06:32)
5. Gerry Mulligan – Apple Core (05:24)
6. Gerry Mulligan – Funhouse (03:12)
7. Gerry Mulligan – Night on the Turntable (04:36)
8. Gerry Mulligan – Sweet and Lovely (05:04)
9. Gerry Mulligan – Roundhouse (03:32)
10. Gerry Mulligan – Mud Bug (05:03)
11. Gerry Mulligan – Ide’s Side (03:19)
12. Gerry Mulligan – Bweebida Bobbida (02:59)
13. Gerry Mulligan – Bernie’s Tune (06:37)
14. Gerry Mulligan – Everything Happens to Me (05:20)
15. Gerry Mulligan – Mulligan’s Too (17:38)

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