Giovanni Antonini – MQS Albums Download

Wrocław Baroque Ensemble, Giovanni Antonini – Komm! (2026) [FLAC 24bit/96kHz]

mqs — Tue, 13 Oct 2026 04:58:03 +0000

As the founder of the Wrocław Baroque Ensemble, which performs on period instruments, the Polish conductor Andrzej Kosendiak is a champion of Baroque music and has specialised in oratorios and cantatas from various periods. Giovanni Antonini has a special connection with this city and this ensemble, as he has been artistic director of Wratislavia Cantans from 2013 to 2024. The flautist and founding conductor of Il Giardino Armonico was invited by Kosendiak to perform as soloist in Bach’s cantatas featuring the flute: BWV 106, known as Actus Tragicus, BWV 161 Komm, du süße Todesstunde, BWV 182 – Bach’s only cantata for Palm Sunday – and finally the hymn for solo voice with basso continuo, BWV 478 Komm, süßer Tod, komm selge Ruh!. ‘In Bach’s cantatas, the flute is never merely ornamental: depending on the moment, it is the “voice of the spirit”, the breath of prayer…’, writes Piotr Maculewicz. The NFM Boys’ Choir joins the soloists and musicians in this invitation to “enter” Bach’s spiritual world!

Tracklist:

1-1. Giovanni Antonini, NFM Boys’ Choir, Wrocław Baroque Ensemble & Andrzej Kosendiak – Bach: Gottes Zeit ist die allerbeste Zeit, BWV 106 “Actus tragicus”: I. Sonatina (02:38)
1-2. Giovanni Antonini, NFM Boys’ Choir, Wrocław Baroque Ensemble & Andrzej Kosendiak – Bach: Gottes Zeit ist die allerbeste Zeit, BWV 106 “Actus tragicus”: IIa. Chor. Gottes Zeit ist die allerbeste Zeit (01:39)
1-3. Giovanni Antonini, NFM Boys’ Choir, Wrocław Baroque Ensemble & Andrzej Kosendiak – Bach: Gottes Zeit ist die allerbeste Zeit, BWV 106 “Actus tragicus”: IIb. Arioso (Tenor). Ach, Herr, lehre uns bedenken (02:06)
1-4. Giovanni Antonini, NFM Boys’ Choir, Wrocław Baroque Ensemble & Andrzej Kosendiak – Bach: Gottes Zeit ist die allerbeste Zeit, BWV 106 “Actus tragicus”: IIc. Aria (Bass). Bestelle dein Haus (01:02)
1-5. Giovanni Antonini, NFM Boys’ Choir, Wrocław Baroque Ensemble & Andrzej Kosendiak – Bach: Gottes Zeit ist die allerbeste Zeit, BWV 106 “Actus tragicus”: IId. Chor und Aria (Soprano). Es ist der alte Bund (03:24)
1-6. Giovanni Antonini, NFM Boys’ Choir, Wrocław Baroque Ensemble & Andrzej Kosendiak – Bach: Gottes Zeit ist die allerbeste Zeit, BWV 106 “Actus tragicus”: IIIa. Aria (Alto). In deine Hände befehl ich meinen Geist (02:08)
1-7. Giovanni Antonini, NFM Boys’ Choir, Wrocław Baroque Ensemble & Andrzej Kosendiak – Bach: Gottes Zeit ist die allerbeste Zeit, BWV 106 “Actus tragicus”: IIIb. Arioso (Bass) und Choral (Alto). Heute wirst du mit mir im Paradies sein (04:01)
1-8. Giovanni Antonini, NFM Boys’ Choir, Wrocław Baroque Ensemble & Andrzej Kosendiak – Bach: Gottes Zeit ist die allerbeste Zeit, BWV 106 “Actus tragicus”: IV. Chor. Glorie, Lob, Ehr und Herrlichkeit (02:51)
1-9. Giovanni Antonini, NFM Boys’ Choir, Wrocław Baroque Ensemble & Andrzej Kosendiak – Bach: Komm, du süsse Todesstunde, BWV 161: I. Aria (Alto) und Choral. Komm, du süße Todesstunde (04:25)
1-10. Giovanni Antonini, NFM Boys’ Choir, Wrocław Baroque Ensemble & Andrzej Kosendiak – Bach: Komm, du süsse Todesstunde, BWV 161: II. Recitative (Tenor). Welt! deine Lust ist Last (01:59)
1-11. Giovanni Antonini, NFM Boys’ Choir, Wrocław Baroque Ensemble & Andrzej Kosendiak – Bach: Komm, du süsse Todesstunde, BWV 161: III. Aria (Tenor). Mein Verlangen (04:50)
1-12. Giovanni Antonini, NFM Boys’ Choir, Wrocław Baroque Ensemble & Andrzej Kosendiak – Bach: Komm, du süsse Todesstunde, BWV 161: IV. Recitativ (Alto). Der Schluss ist schon gemacht (01:57)
1-13. Giovanni Antonini, NFM Boys’ Choir, Wrocław Baroque Ensemble & Andrzej Kosendiak – Bach: Komm, du süsse Todesstunde, BWV 161: V. Chor. Wenn es meines Gottes Wille (02:30)
1-14. Giovanni Antonini, NFM Boys’ Choir, Wrocław Baroque Ensemble & Andrzej Kosendiak – Bach: Komm, du süsse Todesstunde, BWV 161: VI. Choral. Der Leib zwar in der Erden (01:15)
1-15. Giovanni Antonini, NFM Boys’ Choir, Wrocław Baroque Ensemble & Andrzej Kosendiak – Bach: Himmelskönig, sei willkommen, BWV 182: I. Sonata (01:55)
1-16. Giovanni Antonini, NFM Boys’ Choir, Wrocław Baroque Ensemble & Andrzej Kosendiak – Bach: Himmelskönig, sei willkommen, BWV 182: II. Chor. Himmelskönig, sei willkommen (03:04)
1-17. Giovanni Antonini, NFM Boys’ Choir, Wrocław Baroque Ensemble & Andrzej Kosendiak – Bach: Himmelskönig, sei willkommen, BWV 182: III. Recitativ (Bass). Siehe, ich komme, im Buch ist von mir geschrieben (00:36)
1-18. Giovanni Antonini, NFM Boys’ Choir, Wrocław Baroque Ensemble & Andrzej Kosendiak – Bach: Himmelskönig, sei willkommen, BWV 182: IV. Aria (Bass). Starkes Lieben (02:21)
1-19. Giovanni Antonini, NFM Boys’ Choir, Wrocław Baroque Ensemble & Andrzej Kosendiak – Bach: Himmelskönig, sei willkommen, BWV 182: V. Aria (Alto). Leget euch dem Heiland unter (06:46)
1-20. Giovanni Antonini, NFM Boys’ Choir, Wrocław Baroque Ensemble & Andrzej Kosendiak – Bach: Himmelskönig, sei willkommen, BWV 182: VI. Aria (Tenor). Jesu, lass durch Wohl und Weh (03:18)
1-21. Giovanni Antonini, NFM Boys’ Choir, Wrocław Baroque Ensemble & Andrzej Kosendiak – Bach: Himmelskönig, sei willkommen, BWV 182: VII. Jesu, deine Passion (03:27)
1-22. Giovanni Antonini, NFM Boys’ Choir, Wrocław Baroque Ensemble & Andrzej Kosendiak – Bach: Himmelskönig, sei willkommen, BWV 182: VIII. Chor. So lasset uns gehen in Salem der Freuden (03:40)
1-23. Giovanni Antonini, NFM Boys’ Choir, Wrocław Baroque Ensemble & Andrzej Kosendiak – Bach: Komm, süsser Tod, komm, selge Ruh!, BWV 478 (06:05)

Download:

https://filejoker.net/5y7z9zblyz33/Gi0vanniAnt0niniK0mm2026HRA2496.rar

Giovanni Antonini, Il Giardino Armonico – Haydn2032, Vol. 19: Trauer (2026) [FLAC 24bit/192kHz]

mqs — Sun, 17 May 2026 04:51:47 +0000

This 19th volume of Haydn’s complete symphonies coincides with the 40th anniversary of Il Giardino Armonico, the ensemble created and conducted by Giovanni Antonini, artistic director of the Haydn 2032 series. Il Giardino has made its mark on the baroque world with its revolutionary approach to Vivaldi, but Haydn has long been part of the Italian group’s history, and Symphony No. 44, featured in this volume, was the first work by Haydn performed by the ensemble and Antonini. The title of this symphony, known as the “Funeral Symphony”, inspired the inclusion in this programme of Scheidt’s Paduana Dolorosa, published in 1621 at the beginning of the bloody Thirty Years’ War, and Arvo Pärt’s Da pacem Domine, dedicated to the memory of the victims of the 2004 Madrid train bombings: ‘Its contemplative fixity and the sad Pavana dolorosa take on an almost cathartic function which, in my opinion, shows a perfect integration between music that is so stylistically and chronologically distant,’ says Antonini, who also conducts Symphonies Nos. 108 (1762) and 52 (1771).

Tracklist:

1. Giovanni Antonini & Il Giardino Armonico – Haydn: Symphony No. 52 in C Minor, Hob. I:52: I. Allegro assai con brio (09:07)
2. Giovanni Antonini & Il Giardino Armonico – Haydn: Symphony No. 52 in C Minor, Hob. I:52: II. Andante (10:23)
3. Giovanni Antonini & Il Giardino Armonico – Haydn: Symphony No. 52 in C Minor, Hob. I:52: III. Menuet. Allegretto – Trio (02:54)
4. Giovanni Antonini & Il Giardino Armonico – Haydn: Symphony No. 52 in C Minor, Hob. I:52: IV. Finale. Presto (05:21)
5. Giovanni Antonini & Il Giardino Armonico – Pärt: Da pacem Domine (Version for String Orchestra) (05:04)
6. Giovanni Antonini & Il Giardino Armonico – Haydn: Symphony No. 44 in E Minor, Hob. I:44 “Trauer”: I. Allegro con brio (09:26)
7. Giovanni Antonini & Il Giardino Armonico – Haydn: Symphony No. 44 in E Minor, Hob. I:44 “Trauer”: II. Menuet. Allegretto: canone in diapason – Trio (04:19)
8. Giovanni Antonini & Il Giardino Armonico – Haydn: Symphony No. 44 in E Minor, Hob. I:44 “Trauer”: III. Adagio (09:00)
9. Giovanni Antonini & Il Giardino Armonico – Haydn: Symphony No. 44 in E Minor, Hob. I:44 “Trauer”: IV. Finale. Presto (05:03)
10. Giovanni Antonini & Il Giardino Armonico – Scheidt: Ludi musici I: No. 5, Paduan a 4, SSWV 43 (05:11)
11. Giovanni Antonini & Il Giardino Armonico – Haydn: Symphony No. 108 in B-Flat Major, Hob. I:108: I. Allegro molto (02:53)
12. Giovanni Antonini & Il Giardino Armonico – Haydn: Symphony No. 108 in B-Flat Major, Hob. I:108: II. Menuet – Trio (03:11)
13. Giovanni Antonini & Il Giardino Armonico – Haydn: Symphony No. 108 in B-Flat Major, Hob. I:108: III. Andante (03:53)
14. Giovanni Antonini & Il Giardino Armonico – Haydn: Symphony No. 108 in B-Flat Major, Hob. I:108: IV. Finale. Presto (02:29)

Download:

https://filejoker.net/1dre1r0ml3jh/Gi0vanniAnt0niniIlGiardin0Arm0nic0Haydn2032V0l.19Trauer202624192.rar

Giovanni Antonini, Sheng-Fang Chiu – Byrd and the Bird (2026) [FLAC 24bit/96kHz]

mqs — Wed, 06 May 2026 01:44:53 +0000

Giovanni Antonini and Sheng-Fang Chiu form a leading recorder duo who enjoy exploring varied and unexpected repertoires. This album is named after a piece composed by Giovanni Sollima in 2024: it pays tribute to William Byrd and combines the tenor recorder with the sopranino recorder, the perfect imitator of birdsong. This programme spans the ages, from the art of diminution and improvisation in the 15th century to Bartók’s duets from the 1930s – originally composed for two violins – via the refined duets of Jacques Hotteterre in the 18th century and a sonata by Telemann from 1727. Don’t miss Nuovo ricercare No. 4 (1973) by Amico Dolci, child prodigy of the flute and son of the great sociologist and pacifist Danilo Dolci. The two instrumentalists have mischievously chosen to highlight this quote from Shakespeare’s Hamlet: ‘[playing the recorder] is as easy as lying: control these holes with your fingers and thumb, blow with your mouth, and it will produce the most eloquent music…’

Tracklist:

1-1. Giovanni Antonini – 44 Duos for 2 Violins, Sz. 98, BB 104: No. 35, Rutén Kolomejka (01:03)
1-2. Giovanni Antonini – Aquila altera (02:34)
1-3. Giovanni Antonini – 44 Duos for 2 Violins, Sz. 98, BB 104: No. 11, Gyermekrengetéskor (01:21)
1-4. Giovanni Antonini – Première suite de pièces à deux dessus sans basse, Op. 4 : I. Gravement – Gay (03:20)
1-5. Giovanni Antonini – Première suite de pièces à deux dessus sans basse, Op. 4 : II. Allemande (02:01)
1-6. Giovanni Antonini – Première suite de pièces à deux dessus sans basse, Op. 4 : III. “Les tourterelles”. Gracieusement (01:55)
1-7. Giovanni Antonini – Première suite de pièces à deux dessus sans basse, Op. 4 : IV. Rondeau, Gay (01:23)
1-8. Giovanni Antonini – Première suite de pièces à deux dessus sans basse, Op. 4 : V. Gigue (01:22)
1-9. Giovanni Antonini – Première suite de pièces à deux dessus sans basse, Op. 4 : VI. Passacaille (04:12)
1-10. Giovanni Antonini – Der Fluyten Lust-Hof: Amarilli mia bella (02:52)
1-11. Giovanni Antonini – Constantia (02:38)
1-12. Giovanni Antonini – 44 Duos for 2 Violins, Sz. 98, BB 104: No. 31, Ujévköszöntő 4 (01:13)
1-13. Giovanni Antonini – Nuovo ricercare No. 4: I. Il Dialogo cerca di uscire dal convenzionale (02:42)
1-14. Giovanni Antonini – Nuovo ricercare No. 4: II. Con astio reciproco (01:08)
1-15. Giovanni Antonini – Nuovo ricercare No. 4: III. Come due colori si fondono in uno (02:39)
1-16. Giovanni Antonini – Nuovo ricercare No. 4: IV. Voci. La prima serena – La seconda pettegola, tediosa (01:07)
1-17. Giovanni Antonini – 44 Duos for 2 Violins, Sz. 98, BB 104: No. 10, Rutén Nóta (01:12)
1-18. Giovanni Antonini – Indescort (02:51)
1-19. Giovanni Antonini – The Baldwin Commonplace Book, R.M.24.d.2: A Duo (03:05)
1-20. Giovanni Antonini – Honte, paour, doubtance (03:30)
1-21. Giovanni Antonini – Sonata No. 5 in D Minor, Op. 2, TWV 40:104: I. Largo (02:50)
1-22. Giovanni Antonini – Sonata No. 5 in D Minor, Op. 2, TWV 40:104: II. Vivace (02:30)
1-23. Giovanni Antonini – Sonata No. 5 in D Minor, Op. 2, TWV 40:104: III. Grazioso (02:00)
1-24. Giovanni Antonini – Sonata No. 5 in D Minor, Op. 2, TWV 40:104: IV. Allegro (03:19)
1-25. Giovanni Antonini – Upon La Mi Re (02:59)
1-26. Giovanni Antonini – Byrd and the Bird (02:45)

Download:

https://filejoker.net/5hpq2w4sn1yf/Gi0vanniAnt0niniShengFangChiuByrdandtheBird20262496.rar