The Bad Plus – Never Stop II (2019) [FLAC 24bit/96kHz]

The Bad Plus came together at the end of the 20th century and has avoided easy categorization ever since, winning critical hosannas and a legion of fans worldwide with their creativity, unique sound and flair for live performance. The intensely collaborative trio has constantly searched for rules to break and boundaries to cross, bridging genres and techniques while exploring the infinite possibilities of three exceptional musicians working in perfect sync.

The band consists of founding members Reid Anderson (bass) and Dave King (drums) and new member Orrin Evans (piano) — a group of passionate collaborators with no single “leader.” Never Stop II is the first full-length release from this lineup, comprised entirely of original music with each member contributing fresh compositions. The New York Times calls it “an exhilarating document” that sparks an exciting new chapter for the iconic group.

The first album from the Bad Plus since Orrin Evans took over the piano chair from departing co-founder Ethan Iverson, 2017’s Never Stop II is a focused, atmospheric set of all-original songs. Technically, the album is a follow-up to the band’s first album of all-original material, 2010’s Never Stop. However, with Evans on board, the album primarily works as a debut for the trio. That said, Evans fits in nicely with bassist Reid Anderson and drummer Dave King, and the band sounds both fresh and familiar. For Evans’ part, he brings over 20 years of experience and deep post-bop chops to the trio. Nonetheless, these songs retain the trio’s immediately recognizable style, rife with spare melodies, off-kilter rhythms, and subtle, genre-bending aesthetics. Much of that has to do with Anderson and King, who continue to play in their distinctively minimalist fashion, boiling various jazz, rock, and funk rhythms down to their core elements. What’s particularly compelling is how the trio sets up each song with its deft, Spartan touch, and then launches into more loose, improvisatory midsections that allow for intense group interplay and harmonic asides. Tracks like “Hurricane Birds,” with its minor-key theme, roiling time signature, and skittering, jungle-influenced beat, could easily be a cover of a Radiohead song (something the band has literally done in the past). Similarly, the brightly attenuated “Safe Passage,” with its ringing eighth-note opening statement, sounds enticingly like something the late Peanuts pianist Vince Guaraldi might have done if he had had the chance to cover a Lauryn Hill song. Elsewhere, the trio brings out yet more of its nuanced influences, splitting the difference between pulsing modern jazz and melodic, Beatlesque pop on “1983 Regional All-Star” and diving headlong into the angular, Thelonious Monk-does-punk of “Lean in the Archway.” There are also several harmonically enveloping numbers such as the wavelike, McCoy Tyner-influenced “Boffadem” and the delicate, sweetly enveloping ballad “Kerosene II.” ~ Matt Collar

Tracklist:
01. Hurricane Birds
02. Trace
03. Boffadem
04. Safe Passage
05. 1983 Regional All-Star
06. Salvages
07. Commitment
08. Lean in the Archway
09. Kerosene II
10. Seams

Personnel:
Reid Anderson | bass
Orrin Evans | piano
Dave King | drums

Download:

mqs.link_TheBadPlusNeverSt0pII20192496.part1.rar
mqs.link_TheBadPlusNeverSt0pII20192496.part2.rar

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