Antonius Adamske, Göttinger Barockochester – Reinhard Keiser: Ulysses (Musicalisches Schauspiel) (2022) [FLAC 24bit/48kHz]

Antonius Adamske, Göttinger Barockochester - Reinhard Keiser: Ulysses (Musicalisches Schauspiel) (2022) [FLAC 24bit/48kHz] Download

Antonius Adamske, Göttinger Barockochester – Reinhard Keiser: Ulysses (Musicalisches Schauspiel) (2022)
FLAC (tracks) 24 bit/48 kHz | Time – 02:28:27 minutes | 1,53 GBGenre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Coviello Classics

His colleague Georg Philipp Telemann, who was only a few years older, described him as “the greatest spirit of his time”. Reinhard Keiser is a striking example of a musician who was held in the highest esteem in his time, but is hardly present today. He wrote numerous stage works for the Hamburg Opera at the Gänsemarkt.
style=”text-align: center;”>Antonius Adamske, Göttinger Barockochester - Reinhard Keiser: Ulysses (Musicalisches Schauspiel) (2022) [FLAC 24bit/48kHz] Download

Antonius Adamske, Göttinger Barockochester – Reinhard Keiser: Ulysses (Musicalisches Schauspiel) (2022)
FLAC (tracks) 24 bit/48 kHz | Time – 02:28:27 minutes | 1,53 GBGenre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Coviello Classics

His colleague Georg Philipp Telemann, who was only a few years older, described him as “the greatest spirit of his time”. Reinhard Keiser is a striking example of a musician who was held in the highest esteem in his time, but is hardly present today. He wrote numerous stage works for the Hamburg Opera at the Gänsemarkt.

The opera Ulysses, written in 1722, occupies a special place in Keiser’s oeuvre: it is based on the work of another composer. Jean-Féry Rebel had already presented an opera of the same name in Paris in 1703. Librettist Friedrich Maximilian von Lersner translated the literary model into German. Keiser made a virtue of the necessity of adaptation and created a virtuoso combination of German text, French splendour and Italian passion, which was already common in the opera business at that time and which he mastered perfectly.

The Göttingen Baroque Orchestra and an illustrious group of soloists present this ingenious and highly enjoyable mix of styles with passionate enthusiasm.

Tracklist:

1-01. Göttinger Barockochester – Ulysses, Einleitung: “Intrada à 9 avanti l’opera” (04:22)
1-02. Bogna Bernagiewicz – Ulysses, Einleitung: “PROLOGO. Coro. Froher Tag, der du das Leben” (01:11)
1-03. Markus Brutscher – Ulysses, Einleitung: “Rezitativo. Getreue Cimbrier” (Jupiter) (02:08)
1-04. Markus Brutscher – Ulysses, Einleitung: “Aria. Preise mit gebognen Knien” (Jupiter) (01:44)
1-05. Bogna Bernagiewicz – Ulysses, Einleitung: “Coro. Dich zu erheben” (00:58)
1-06. Janno Scheller – Ulysses, Einleitung: “Rezitativo. Ich steig herauf” (Neptunus, Jupiter) (02:31)
1-07. Janno Scheller – Ulysses, Einleitung: “Aria. Die Ostsee, der beschäumte Belt” (Neptunus) (01:50)
1-08. Janno Scheller – Ulysses, Einleitung: “Rezitativo. Auf Erden sind die Thaten nicht geringer” (Neptunus, Jupiter) (01:45)
1-09. Bogna Bernagiewicz – Ulysses, Einleitung: “Coro. Lebe, großer FRIEDERICH” (00:50)
1-10. Jürgen Orelly – Ulysses, Act I, Scene 1: “Aria. Erhebt euch, ihr Winde” (Urilas) (03:02)
1-11. Jürgen Orelly – Ulysses, Act I, Scene 1: “Rezitativo. Penelope hat lang mein Hertz besessen” (Urilas, Circe) (01:06)
1-12. Jürgen Orelly – Ulysses, Act I, Scene 2: “Aria con Unisoni. In der Liebe Rosengarten” (Urilas, Circe) (02:30)
1-13. Jürgen Orelly – Ulysses, Act I, Scene 2: “Rezitativo. All mein Vertrauen” (Urilas, Circe) (00:32)
1-14. Markus Brutscher – Ulysses, Act I, Scene 3: “Rezitativo. Ich habe Reich und alles hinterlassen” (Jupiter) (00:56)
1-15. Bogna Bernagiewicz – Ulysses, Act I, Scene 3: “Aria Pizzicata. Süßer Ursprung meiner Ruh” (Penelope) (01:49)
1-16. Bogna Bernagiewicz – Ulysses, Act I, Scene 4: “Rezitativo. Sag, liebste Circe sag” (Penelope, Jupiter) (00:56)
1-17. Bogna Bernagiewicz – Ulysses, Act I, Scene 4: “Giuseppe Maria Orlandini: Aria. Usignuol tra ra” (Penelope) (09:52)
1-18. Bogna Bernagiewicz – Ulysses, Act I, Scene 4: “Aria. Du angenehme Nachtigallmi” (Penelope) (04:45)
1-19. Bogna Bernagiewicz – Ulysses, Act I, Scene 4: “Rezitativo. Cephalia bleib hier” (Penelope) (00:10)
1-20. Francisca Prudencio – Ulysses, Act I, Scene 5: “Rezitativo. Mein armes Hertz” (Cephalia) (00:35)
1-21. Francisca Prudencio – Ulysses, Act I, Scene 5: “Aria con Violini et Oboi. Mit tausend Lust drück ich dich an meine Brust” (Cephalia) (02:21)
1-22. Jürgen Orelly – Ulysses, Act I, Scene 6: “Rezitativo. Diß ist der Ort” (Urilas, Jupiter) (00:39)
1-23. Jürgen Orelly – Ulysses, Act I, Scene 6: “Aria. Will der Himmel mich nicht hören” (Urilas) (01:31)
1-24. Markus Brutscher – Ulysses, Act I, Scene 6: “Accompagnato. Dreyfache Hekate” (Jupiter) (01:18)
1-25. Göttinger Barockochester – Ulysses, Act I, Scene 6: “Coro. Wir gehorchen deinen Worten” (01:12)
1-26. Francisca Prudencio – Ulysses, Act I, Scene 7: “Aria à 2. Die süße Liebe” (Amouretten) (01:44)
1-27. Göttinger Barockochester – Ulysses, Act I, Scene 7: “Ballet der Amouretten (Chaconne) – tutti” (01:44)
1-28. Bogna Bernagiewicz – Ulysses, Act I, Scene 7: “Rezitativo. Entweicht, denn euer Zweck ist lasterhafft” (Penelope) (00:29)
1-29. Francisca Prudencio – Ulysses, Act I, Scene 7: “Aria einer Amourette. Diesen Blumen hat das Leben” (Amourette) (04:17)
1-30. Göttinger Barockochester – Ulysses, Act I, Scene 7: “Ballet der Amouretten (Chaconne) – soli” (01:47)
1-31. Bogna Bernagiewicz – Ulysses, Act I, Scene 7: “Rezitativo. Entweicht, ihr Furien” (Penelope) (00:26)
1-32. Bogna Bernagiewicz – Ulysses, Act I, Scene 8: “Aria. Non ha fortuna” (Penelope) (03:17)
1-33. Bogna Bernagiewicz – Ulysses, Act I, Scene 8: “Rezitativo. O unbarmhertziges Geschicke” (Penelope) (00:56)
1-34. Bogna Bernagiewicz – Ulysses, Act I, Scene 8: “Accompagnato. Darum zerschmettre mich” (Penelope) (00:32)
1-35. Francisca Prudencio – Ulysses, Act I, Scene 8: “Rezitativo. Das Übel hat noch nicht so überhand genommen” (Cephalia) (00:41)
1-36. Bogna Bernagiewicz – Ulysses, Act I, Scene 9: “Rezitativo. Verhaßte Zauberin” (Penelope, Circe, Urilas) (01:44)
1-37. Jürgen Orelly – Ulysses, Act I, Scene 10: “Rezitativo. Die Juno hat sie uns entzogen!” (Circe, Urilas) (01:06)
1-38. Jürgen Orelly – Ulysses, Act I, Scene 10: “Aria à 2. Auff, auff zur Rache” (Circe, Urilas) (01:56)
2-01. Janno Scheller – Ulysses, Act II, Scene 1: “Aria. Mit Freuden Thränen” (Ulysses) (02:41)
2-02. Janno Scheller – Ulysses, Act II, Scene 1: “Rezitativo. Jedoch, was fällt mir ins Gesicht” (Ulysses) (01:26)
2-03. Janno Scheller – Ulysses, Act II, Scene 2: “Aria. Kann ich dich nur wieder sehen” (Ulysses) (02:14)
2-04. Janno Scheller – Ulysses, Act II, Scene 2: “Rezitativo. Jedoch wer weiß, ob sie auch treu geblieben” (Ulysses, Arpax) (01:34)
2-05. Goetz Phillip Körner – Ulysses, Act II, Scene 2: “Aria. Das Frauenvolk ist voller Tücke” (Arpax) (01:00)
2-06. Janno Scheller – Ulysses, Act II, Scene 2: “Rezitativo. O weh, ist Circe hier?” (Ulysses) (00:12)
2-07. Janno Scheller – Ulysses, Act II, Scene 3: “Rezitativo. Ob du mich gleich betrogen” (Circe, Ulysses) (01:53)
2-08. Janno Scheller – Ulysses, Act II, Scene 3: “Aria à 2. Amor bindt uns heute wieder” (Circe, Ulysses) (02:12)
2-09. Janno Scheller – Ulysses, Act II, Scene 3: “Rezitativo. Auff lasset uns von hinnen ziehen” (Circe, Ulysses) (01:21)
2-10. Bogna Bernagiewicz – Ulysses, Act II, Scene 4: “Aria. Ich drücke dich mit tausend Küssen” (Penelope) (03:04)
2-11. Bogna Bernagiewicz – Ulysses, Act II, Scene 4: “Rezitativo. Allein, du scheinest mir gantz kalt” (Ulysses, Penelope) (01:38)
2-12. Markus Brutscher – Ulysses, Act II, Scene 5: “Aria. Ich soll stets ein Spiel der Sterne” (Eurilochus) (01:53)
2-13. Janno Scheller – Ulysses, Act II, Scene 5: “Rezitativo. Mein König, laßt uns Hand an unsre Waffen legen” (Ulysses, Eurilochus) (03:48)
2-14. Janno Scheller – Ulysses, Act II, Scene 5: “Aria con Stromenti. Ich eile zu den Waffen” (Ulysses) (02:04)
2-15. Goetz Phillip Körner – Ulysses, Act II, Scene 6: “Rezitativo. Es ist doch auf der See kein Boden” (Arpax) (00:57)
2-16. Goetz Phillip Körner – Ulysses, Act II, Scene 6: “Aria. Es fehlt dem Kriegsschiff meines Hauptes an einem guten Steuermann” (Arpax) (01:41)
2-17. Jürgen Orelly – Ulysses, Act II, Scene 7: “Rezitativo. Ulysses ist in Ithaca” (Urilas) (00:44)
2-18. Jürgen Orelly – Ulysses, Act II, Scene 7: “Aria. Verzweifflung und verschmähte Liebe” (Urilas) (02:16)
2-19. Jürgen Orelly – Ulysses, Act II, Scene 7: “Rezitativo. Ich sehe dort Ulysses’ Diener stehn” (Urilas, Arpax) (01:32)
2-20. Goetz Phillip Körner – Ulysses, Act II, Scene 7: “Aria. Du süßer Safft der Reben” (Arpax) (00:50)
2-21. Goetz Phillip Körner – Ulysses, Act II, Scene 7: “Aria con Stromenti. Ein Gläßgen Wein behält den Preis” (Arpax) (01:35)
2-22. Janno Scheller – Ulysses, Act II, Scene 8: “Rezitativo. Ulysses, fliehstu mich?” (Circe, Ulysses) (01:14)
2-23. Janno Scheller – Ulysses, Act II, Scene 8: “Aria à 2 con Unisoni. Erzittre, wenn mein Mund von Rache spricht.” (Circe, Ulysses) (00:49)
2-24. Gerald Thompson – Ulysses, Act II, Scene 8: “Rezitativo. Ich will dir noch ein Zeugnis” (Circe) (00:44)
2-25. Göttinger Barockochester – Ulysses, Act II, Scene 8: “Entrée” (00:58)
2-26. Markus Brutscher – Ulysses, Act III, Scene 1: “Aria. Ihr sanften Winde” (Eurilochus) (02:09)
2-27. Francisca Prudencio – Ulysses, Act III, Scene 1: “Rezitativo. Allein, ich bin besorget” (Cephalia, Eurilochus) (02:42)
2-28. Francisca Prudencio – Ulysses, Act III, Scene 1: “Aria à 2. Schönster Engel, werthes Leben” (Cephalia, Eurilochus) (01:14)
2-29. Bogna Bernagiewicz – Ulysses, Act III, Scene 2: “Rezitativo. Ich muss zu einem Spiel des Schicksals dienen” (Penelope) (01:46)
2-30. Bogna Bernagiewicz – Ulysses, Act III, Scene 2: “Aria. Ch’io mi stimi un’ infelice?” (Penelope) (01:40)
2-31. Bogna Bernagiewicz – Ulysses, Act III, Scene 2: “Rezitativo. Was saget ihr dazu?” (Penelope, Eurilochus) (01:12)
2-32. Bogna Bernagiewicz – Ulysses, Act III, Scene 2: “Aria. Tu che scorgi il nostro interno” (Penelope) (04:00)
2-33. Francisca Prudencio – Ulysses, Act III, Scene 2: “Rezitativo. Das Glücke wird nach langer Pein” (Cephalia) (00:22)
2-34. Gerald Thompson – Ulysses, Act III, Scene 3: “Aria con tutti gl’Istromenti. Ich eile die Pfeile der Rache zu wetzen” (Circe) (01:49)
2-35. Bogna Bernagiewicz – Ulysses, Act III, Scene 3: “Rezitativo. Und weil du mich zuerst zum Zorn bewogen” (Penelope, Circe) (01:50)
2-36. Bogna Bernagiewicz – Ulysses, Act III, Scene 3: “Aria Larghetta. Liebster Schatz, ich muß dich lassen” (Penelope) (01:57)
2-37. Gerald Thompson – Ulysses, Act III, Scene 3: “Rezitativo. Du sollst nunmehr von meinen Händen” (Circe) (00:13)
2-38. Goetz Phillip Körner – Ulysses, Act III, Scene 4: “Rezitativo. Der Himmel schicket mich” (Mercurius, Circe) (02:11)
2-39. Goetz Phillip Körner – Ulysses, Act III, Scene 4: “Aria con Violine e Oboe. Die Unschuld gleicht den zarten Zweigen” (Mercurius) (01:08)
2-40. Göttinger Barockochester – Ulysses, Act III, Scene 4: “Bauerndanß” (01:09)
2-41. Bogna Bernagiewicz – Ulysses, Act III, Scene 5: “Coro. Singet von Ulysses’ Siegen” (00:30)
2-42. Janno Scheller – Ulysses, Act III, Scene 5: “Rezitativo. Ich bin gantz außer mir” (Penelope, Ulysses) (00:59)
2-43. Janno Scheller – Ulysses, Act III, Scene 5: “Duetto, con unisono. Lass dich hertzen, lass dich küssen” (Penelope, Ulysses) (01:21)
2-44. Markus Brutscher – Ulysses, Act III, Scene 5: “Rezitativo. Der Himmel schenkt dir deinen Thron” (Eurilochus) (00:39)
2-45. Markus Brutscher – Ulysses, Act III, Scene 5: “Aria. Weil du die Liebste kannst umfangen” (Eurilochus) (01:28)
2-46. Francisca Prudencio – Ulysses, Act III, Scene 5: “Rezitativo. Ganz Ithaka ist ungemein erfreut” (Ithacier) (00:34)
2-47. Francisca Prudencio – Ulysses, Act III, Scene 5: “Aria. Singe frohe Freudenlieder” (Ithacier) (01:25)
2-48. Francisca Prudencio – Ulysses, Act III, Scene 5: “Rezitativo. Ihr alle, die ihm unterthan” (Ithacier) (00:17)
2-49. Bogna Bernagiewicz – Ulysses, Act III, Scene 5: “Coro. Bringt glückliche Beyde in himmlischer Freude” (00:38)
2-50. Jürgen Orelly – Ulysses, Act III, Scene letzter Auftritt: “Rezitativ. Was sterblich ist, liegt mir zu meinen Füssen” (Time) (02:50)
2-51. Bogna Bernagiewicz – Ulysses, Act III, Scene letzter Auftritt: “Coro. Es lebe FRIEDERICH” (00:52)

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