Elisabeth Schwarzkopf, Dietrich Fischer-Dieskau, Philharmonia Orchestra, Otto Klemperer – Brahms: A German Requiem, Op. 45 (1991/2023) [FLAC 24bit/192kHz]

Elisabeth Schwarzkopf, Dietrich Fischer-Dieskau, Philharmonia Orchestra, Otto Klemperer – Brahms: A German Requiem, Op. 45 (1991/2023)
FLAC (tracks) 24 bit/192 kHz | Time – 01:21:37 minutes | 3,15 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Warner Classics

Otto Klemperer’s masterful direction of the Philharmonia Orchestra in Brahms’ opus, “A German Requiem,” resonates with a poignant depth, capturing the soul-stirring essence of this monumental work. With Elisabeth Schwarzkopf’s ethereal soprano and Dietrich Fischer-Dieskau’s emotive baritone, this rendition achieves an exquisite balance between solace and solemnity. Each movement unveils a profound narrative, from solemn introspection to moments of soaring, transcendent beauty. Klemperer’s interpretation, steeped in musical finesse and emotional richness, alongside the exceptional vocal prowess of Schwarzkopf and Fischer-Dieskau, grants this recording an enduring place among the definitive performances of Brahms’ Requiem, inviting listeners into a world of contemplation and profound musical catharsis.It doesn’t take long, listening to this recording of Brahms’ Ein deutsches Requiem with Otto Klemperer leading the Philharmonia Orchestra and Chorus, to understand its iconic status as one of the outstanding recordings of the work. In the opening measures of the first movement, “Selig sind, die da Leid tragen,” Klemperer creates an ethereally transparent texture that blossoms throughout the movement into a mood of luminous serenity. That quality is even more pronounced in the transcendent tranquility of the fourth movement, “Wie Lieblich sind deine Wohnungen.” In the second movement, “Den alles Fleisch, es ist wie Gras,” Klemperer cuts loose in the build up to the apocalyptic second choral statement of the theme, which has an overwhelmingly ominous power, a power that he summons again in the forceful sixth movement, “Denn wir haben keine bleibende Stadt.” Klemperer handles the composers’ tricky tempos shifts with complete assurance, so that they seem entirely inevitable. Throughout, Klemperer demonstrates his profound understanding of the musical and emotional richness and complexity of Brahms’ masterpiece. The orchestra and chorus respond to his leadership with complete attentiveness and deliver nuanced and passionate performances. Baritone Dietrich Fischer-Dieskau’s investment in the music is evident in his warm tone, shapely phrasing, and the dramatic urgency of his performance. Soprano Elizabeth Schwartzkopf’s voice did not have all the bloom and flexibility of its prime, but she brings a floating lightness to her solo, “Ihr habt nun Traurigkeit.” Produced by Walter Legge and engineered by Douglas Larter, the recording was state-of- the-art when it was recorded in 1961, and the 1997 digital remastering brings it to a standard that should satisfy most listeners. The sound is transparent in the quieter moments, and round and rich in the fuller sections, and always clear and clean. This recording is a must-have for fans of Brahms’ Requiem and of outstanding choral performances.

Tracklist:

1-01. Otto Klemperer – Ein deutsches Requiem, Op. 45: I. Selig sind die da Leid tragen (09:57)
1-02. Otto Klemperer – Ein deutsches Requiem, Op. 45: II. Denn alles Fleisch es ist wie Gras (14:28)
1-03. Otto Klemperer – Ein deutsches Requiem, Op. 45: III. Herr, lehre doch mich (09:50)
1-04. Otto Klemperer – Ein deutsches Requiem, Op. 45: IV. Wie lieblich sind deine Wohnungen (05:47)
1-05. Otto Klemperer – Ein deutsches Requiem, Op. 45: V. Ihr habt nun Traurigkeit (06:53)
1-06. Otto Klemperer – Ein deutsches Requiem, Op. 45: VI. Denn wir haben hie keine bleibende Statt (11:44)
1-07. Otto Klemperer – Ein deutsches Requiem, Op. 45: VII. Selig sind die Toten (10:17)
1-08. Otto Klemperer – Alto Rhapsody, Op. 53 (12:37)

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