Jeff Beck – Blow By Blow (1975/2023)
FLAC (tracks) 24 bit/176,4 kHz | Time – 44:32 minutes | 1,92 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Epic
Blow by Blow is Jeff Beck’s second album credited to him as a solo artist. It was recorded in October 1974 and released via Epic Records in 1975. An instrumental album, it peaked at No. 4 on the American Billboard 200 and was certified platinum by the RIAA.
After the dissolution of the power trio Beck, Bogert & Appice (BBA) in spring 1974, Beck took time for session work with other groups. In December, a half-hearted “audition” for The Rolling Stones took place, Beck jamming blues with the band for one day, before realising their musical styles were not compatible.
During this period, Beck decided to record an all-instrumental album, bringing back keyboardist Max Middleton from the second Jeff Beck Group. He hired George Martin to produce after hearing his work with the Mahavishnu Orchestra’s 1974 album Apocalypse. According to Carmine Appice, who played with Beck in BBA, he was involved in the writing and recording process of Blow by Blow but his parts were edited out after a dispute with Beck’s management. The fourth key contributor to Blow by Blow after Beck, Middleton, and Martin was Stevie Wonder, who gave Beck his songs “Cause We’ve Ended as Lovers” and “Thelonius”, with Wonder playing clavinet on the latter uncredited. The former song appeared on Wonder’s 1974 album Stevie Wonder Presents: Syreeta, made with then-wife Syreeta Wright, while Wonder never recorded “Thelonius” himself. A cover of the Beatles song “She’s a Woman” was selected, as well as the composition “Diamond Dust” by Bernie Holland of the group Hummingbird consisting of musicians from the second Beck Group. The other five tracks were band originals with Beck and Middleton the main writers, and the last track on each side featured string arrangements by Martin. Beck dedicated “Cause We’ve Ended as Lovers” to fellow guitarist Roy Buchanan, with an acknowledgement to Wonder.Blow by Blow typifies Jeff Beck’s wonderfully unpredictable career. Released in 1975, Beck’s fifth effort as a leader and first instrumental album was a marked departure from its more rock-based predecessors. Only composer/keyboardist Max Middleton returned from Beck’s previous lineups. To Beck’s credit, Blow by Blow features a tremendous supporting cast. Middleton’s tasteful use of the Fender Rhodes, clavinet, and analog synthesizers leaves a soulful imprint. Drummer Richard Bailey is in equal measure supportive and propulsive as he deftly combines elements of jazz and funk with contemporary mixed meters. Much of the album’s success is also attributable to the excellent material, which includes Middleton’s two originals and two collaborations with Beck, a clever arrangement of Lennon and McCartney’s “She’s a Woman,” and two originals by Stevie Wonder. George Martin’s ingenious production and string arrangements rival his greatest work. Beck’s versatile soloing and diverse tones are clearly the album’s focus, and he proves to be an adept rhythm player. Blow by Blow is balanced by open-ended jamming and crisp ensemble interaction as it sidesteps the bombast that sank much of the jazz-rock fusion of the period. One of the album’s unique qualities is the sense of fun that permeates the performances. On the opening “You Know What I Mean,” Beck’s stinging, blues-based soloing is full of imaginative shapes and daring leaps. On “Air Blower,” elaborate layers of rhythm, duel lead, and solo guitars find their place in the mix. Propelled by the galvanic rhythm section, Beck slashes his way into “Scatterbrain,” where a dizzying keyboard and guitar line leads to more energetic soloing from Beck and Middleton. In Stevie Wonder’s ballad “Cause We’ve Ended as Lovers,” Beck variously coaxes and unleashes sighs and screams from his guitar in an aching dedication to Roy Buchanan. Middleton’s aptly titled “Freeway Jam” best exemplifies the album’s loose and fun-loving qualities, with Beck again riding high atop the rhythm section’s wave. As with “Scatterbrain,” Martin’s impeccable string arrangements enhance the subtle harmonic shades of the closing “Diamond Dust.” Blow by Blow signaled a new creative peak for Beck, and it proved to be a difficult act to follow. It is a testament to the power of effective collaboration and, given the circumstances, Beck clearly rose to the occasion. In addition to being a personal milestone, Blow by Blow ranks as one of the premiere recordings in the canon of instrumental rock music. – Mark Kirschenmann
1-1. Jeff Beck – You Know What I Mean (04:05)
1-2. Jeff Beck – She’s a Woman (04:30)
1-3. Jeff Beck – Constipated Duck (02:47)
1-4. Jeff Beck – Air Blower (05:09)
1-5. Jeff Beck – Scatterbrain (05:40)
1-6. Jeff Beck – Cause We’ve Ended as Lovers (05:41)
1-7. Jeff Beck – Thelonius (03:18)
1-8. Jeff Beck – Freeway Jam (04:55)
1-9. Jeff Beck – Diamond Dust (08:23)
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