Michael Tsalka – Mozartiana: Rarities & Arrangements Performed on Historical Keyboards (2020) [FLAC 24bit/96kHz]

Michael Tsalka – Mozartiana: Rarities & Arrangements Performed on Historical Keyboards (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 01:13:29 minutes | 1,43 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Grand Piano

Keyboard arrangements of Mozart’s compositions, ranging from one of his earliest minuets to his tribute to J.S. Bach, reveal the variety and fecundity of his imagination, not least in the inspired collection made by the great pianist Edwin Fischer, and in the excerpts from the playful Londoner Skizzenbuch. They are performed on two original and newly restored instruments, the Tangentenflügel – a transitional keyboard instrument with a unique tone quality that sounds like a harpsichord endowed with dynamics – and the pantalon square piano. This is the first recording ever made of a historical pantalon.

Pianist and Early Keyboard performer MICHAEL TSALKA has won numerous international prizes. A versatile musician, he studied at Temple University under the guidance of Joyce Lindorff, Lambert Orkis and Harvey Wedeen. Other mentors include Dario di Rosa, Malcolm Bilson, David Shemer, Charles Rosen and Sandra Mangsen. Michael Tsalka maintains a busy concert schedule with recent performance highlights including Zhonghe Hall in the Forbidden City, Beijing; Palacio de Bellas Artes Theatre in Mexico City; The Royal Concertgebouw, Amsterdam; the Hermitage Museum in St Petersburg; The Metropolitan Museum in New York; the Mozarteum in Salzburg, Kunsthistorisches Museum in Vienna; the Elbphilharmonie in Hamburg; and Sydney Conservatorium of Music. He is currently head of the keyboard department at the Vanke Meisha Arts Academy (VMAA) in Shenzhen, China.

Tracklist:
1. Adagio in B Minor, K. 540 (08:11)
2. Symphony No. 11 in D Major, K. 84: I. Allegro (Arr. F. Beyer for Piano) (03:16)
3. Musik zu einer Pantomime, K. 446 (Excerpts Completed & Arr. F. Beyer for Piano): No. 1, Pantalon und Colombine zanken sich (00:43)
4. Musik zu einer Pantomime, K. 446 (Excerpts Completed & Arr. F. Beyer for Piano): No. 2, Der Dottore kommt (02:04)
5. Musik zu einer Pantomime, K. 446 (Excerpts Completed & Arr. F. Beyer for Piano): No. 3, Pantalon, Pierò und Dottore liegen auf der (01:05)
6. Musik zu einer Pantomime, K. 446 (Excerpts Completed & Arr. F. Beyer for Piano): No. 4, Dottore und Colombine steht unbeweglich (00:47)
7. Musik zu einer Pantomime, K. 446 (Excerpts Completed & Arr. F. Beyer for Piano): No. 5, Pantalon und Pierò bringen den Tischel (00:49)
8. Musik zu einer Pantomime, K. 446 (Excerpts Completed & Arr. F. Beyer for Piano): No. 6, Colombine ist ganz traurig – No. 7, Harleq (04:47)
9. Musik zu einer Pantomime, K. 446 (Excerpts Completed & Arr. F. Beyer for Piano): No. 8, Allegro maestoso (01:05)
10. Musik zu einer Pantomime, K. 446 (Excerpts Completed & Arr. F. Beyer for Piano): No. 10, Pierò geht auf und ab, sieht den Türken (01:30)
11. Musik zu einer Pantomime, K. 446 (Excerpts Completed & Arr. F. Beyer for Piano): No. 11, Allegro – Presto (00:57)
12. Musik zu einer Pantomime, K. 446 (Excerpts Completed & Arr. F. Beyer for Piano): No. 12, Maestoso (02:48)
13. Musik zu einer Pantomime, K. 446 (Excerpts Completed & Arr. F. Beyer for Piano): No. 13, Pierò fürchtet sich vor dem toten Arlequi (03:38)
14. Symphony No. 48 in D Major, K. 120: III. Presto (Arr. F. Beyer for Piano) (01:15)
15. Piece in F Major, K. 33b (01:01)
16. Allegro in F Major, K. 15a (01:05)
17. Andantino in C Major, K. 15b (01:33)
18. Contredanse in F Major, K. 15h (00:50)
19. Minore in A Minor, K. 15k (01:09)
20. Siciliano in D Minor, K. 15u (01:36)
21. Minuet in G Major, K. 1 (Arr. E. Fischer for Piano) (02:13)
22. Minuet in F Major, K. 2 (Arr. E. Fischer for Piano) (00:47)
23. Minuet in D Major, K. 94 (Arr. E. Fischer for Piano) (01:22)
24. Fantasia in F Minor, K. 608 (Arr. E. Fischer for Piano) (11:56)
25. Andantino in E-Flat Major, K. 236 (After Gluck’s Wq. 44) [Arr. E. Fischer for Piano] (01:13)
26. Contredanse in D Major, K. 534 “Das Donnerwetter” (Arr. E. Fischer for Piano) (02:45)
27. Romance in A-Flat Major, K. Anh. 205 (Arr. E. Fischer for Piano) (05:10)
28. Variations on an Arietta from “I finti eredi”, K. Anh. 289 (After Sarti) [Arr. E. Fischer for Piano] (07:54)

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mqs.link_MichaelTsalkaM0zartiana20202496.part1.rar
mqs.link_MichaelTsalkaM0zartiana20202496.part2.rar

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