Patricia Kopatchinskaja, Reto Bieri, Polina Leschenko – Take 3 (2024) [FLAC 24bit/192kHz]

Patricia Kopatchinskaja, Reto Bieri, Polina Leschenko - Take 3 (2024) [FLAC 24bit/192kHz] Download

Patricia Kopatchinskaja, Reto Bieri, Polina Leschenko – Take 3 (2024)
FLAC (tracks) 24 bit/192 kHz | Time – 01:06:39 minutes | 2,16 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Alpha Classics

The basic idea of this album was to play in threes… Not to play ‘something’, but to experiment ‘in threes’ with sound worlds as different as those of Bartók, Poulenc and Schoenfield. With his Contrastes, composed in 1938 for Benny Goodman, Bartók broadened his penchant for traditional music and turned it into a more universal work, influenced by jazz. Poulenc was a child of the Paris of the Roaring Twenties, influenced as much by Stravinsky, Ravel and Satie as by cabaret songs and operetta. Paul Schoenfield, born in Detroit in 1947, also likes to combine styles. Each of the movements in his trio is based on an Eastern European Hasidic melody… not forgetting the breathtaking klezmer dances of Romanian Șerban Nichifor. Almost ten years after Take 2 (Alpha211), Patricia Kopatchinskaja reunites with two great accomplices, clarinettist Reto Bieri and pianist Polina Leschenko, for a programme based around trios that celebrate the roots of these three musicians.

Tracklist:

1-01. Patricia Kopatchinskaja – L’invitation au château, FP. 138: IV. Mouvement de valse-hésitation (01:46)
1-02. Patricia Kopatchinskaja – Trio for Clarinet, Violin & Piano: I. Freylakh (04:08)
1-03. Patricia Kopatchinskaja – Trio for Clarinet, Violin & Piano: II. March (06:12)
1-04. Patricia Kopatchinskaja – Trio for Clarinet, Violin & Piano: III. Nigun (04:55)
1-05. Patricia Kopatchinskaja – Trio for Clarinet, Violin & Piano: IV. Kozatske (04:20)
1-06. Patricia Kopatchinskaja – L’invitation au château, FP. 138: VIII. Tempo di Boston (02:47)
1-07. Patricia Kopatchinskaja – Bagatelle in D Minor for Violin and Piano (01:58)
1-08. Patricia Kopatchinskaja – L’invitation au château, FP. 138: XVI. Follement vite et gai (00:28)
1-09. Patricia Kopatchinskaja – Clarinet Sonata, FP. 184: I. Allegro tristamente (05:23)
1-10. Patricia Kopatchinskaja – Clarinet Sonata, FP. 184: II. Romanza (04:40)
1-11. Patricia Kopatchinskaja – Clarinet Sonata, FP. 184: III. Allegro con fuoco (03:12)
1-12. Patricia Kopatchinskaja – L’invitation au château, FP. 138: XIII. Tempo di Tarantella (00:25)
1-13. Patricia Kopatchinskaja – Burlesque for Violin & Piano, Op. 8: No. 2 (02:29)
1-14. Patricia Kopatchinskaja – L’invitation au château, FP. 138: XII. Très vite et très canaille (00:34)
1-15. Patricia Kopatchinskaja – Contrasts for Violin, Clarinet & Piano, Sz.111: I. Verbunkos (05:33)
1-16. Patricia Kopatchinskaja – Contrasts for Violin, Clarinet & Piano, Sz.111: II. Pihenö (04:21)
1-17. Patricia Kopatchinskaja – Contrasts for Violin, Clarinet & Piano, Sz.111: III. Sebes (07:26)
1-18. Patricia Kopatchinskaja – L’invitation au château, FP. 138: XI. Tango (02:46)
1-19. Patricia Kopatchinskaja – Klezmer Dance (03:08)

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