Ensemble Alternance – D’une étincelle (2024) [FLAC 24bit/96kHz]

Ensemble Alternance - D'une étincelle (2024) [FLAC 24bit/96kHz] Download

Ensemble Alternance – D’une étincelle (2024)
FLAC (tracks) 24 bit/96 kHz | Time – 55:57 minutes | 898 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Stradivarius

Arriving as a composition (in particular, thanks to Gerard Pesson) along a winding route for development (in Alto) – I am trying to create a network and contrast between the world of art and bringing it to life – French artist Mael Bailly, not inclined to artistic design. plus, the pronunciation of the voice, to emphasize that a pendant with a train is what a man needs, I got acquainted with the musical volunteers serving the stage and the image. Music with tangible irony, with a new face, in the style of “Countercleron” (concert for the ensemble “Alternative” in 2021), for flute, viola and trompet, as part of a festival dedicated to the traditional role of the instrument, colors, elegance and originality, as well as to ensure that the main movement meets the best musicians of the world. ranges differ, unity in the forest and in microenvironments. We do not seek to specify in terms of participation in the “Armchair”, “journal of the Conservatory in youth”, “Quatreme of love”, “quatreme of the heart”, “quatreme of the heart”, “an accomplished event in the history of Charles Fourier”, “return to the Marchand system”, “fraternal society and passion”. What did you think of me at the very beginning, under the title “Introduction to the slide”, and how do you get back to your CD? (Bernard Vincken)The music of Mael Bailly undoubtedly bears the imprint, not the weight, of his mentor, composer Gerard Pesson, since Bailly Sr. is endowed with a well-known benevolence and generosity. A respectful distance from the heritage that has been accepted and brought to life, as well as an original and witty imagination, contribute to emancipation. The musical style of Mael Bailly is already obvious. There are many works whose instruments and styles are as eclectic as they are amazing. Mael Bailly belongs resolutely to his time. He is one of those who develops a form of live communication, which at every moment offers many possible paths to his own future. (Brian Fernyhoe) The music stream jumps, bounces, stomps, boils. Sound textures shimmer with a wide range of color fumaroles, both finely chiseled and sometimes melting like magma. In this game of hands, or sound classics, as Mael Bailly himself calls it, sounds develop, continue and imitate each other in a rhythmic vortex that is sometimes ruthlessly robotic, and sometimes endowed with a tense elasticity that gives a new dimension to discourse. In other cases, they are endowed with intense flexibility, which gives the discourse a special impression of indecision, especially when it develops in an open form. The spirit of improvisation often lurks in the shadows.


1-01. Ensemble Alternance – La quatrième pomme (07:51)
1-02. Ensemble Alternance – Enchères (03:43)
1-03. Ensemble Alternance – D’une étincelle (06:45)
1-04. Jean-Marie Cottet – Or Not Prepared (09:27)
1-05. Ensemble Alternance – Contre-clairon (10:48)
1-06. Ensemble Alternance – 6 Miniatures (05:54)
1-07. Nicolas Arsenijevic – De un umbral vacante al otro (04:51)
1-08. Ensemble Alternance – Introduction et diapo (06:35)

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